| Anthony Steffen | ... | Django | |
| Stelio Candelli | ... | Carranza | |
| Glauco Onorato | ... | The Sheriff | |
| Chris Avram | ... | Jeff (as Cris Avram) | |
| Esmeralda Barros | ... | Lola | |
| Donato Castellaneta | ... | Paco | |
| Benito Stefanelli | ... | Ibanez | |
| Riccardo Pizzuti | ... | Thompson | |
| Simonetta Vitelli | ... | Inez (as Simone Blondel) | |
| Furio Meniconi | ... | Il sceriffo | |
| Alessandro Perrella | |||
| Paolo Figlia | |||
| Attilio Severini | |||
| Giovanni Cianfriglia | ... | Jeff Henchman | |
| Gilberto Galimberti | |||
| Remo Capitani | |||
| Lorenzo Piani | |||
| rest of cast listed alphabetically: | |||
| Fortunato Arena | ... | Townsman (uncredited) | |
| Mario Dardanelli | ... | John (uncredited) | |
Directed by | |||
| Edoardo Mulargia | (as Edward G. Muller) | ||
Writing credits(in alphabetical order) | ||
| Nino Stresa | screenplay | |
| Nino Stresa | story | |
Produced by | |||
| Salvator A. Crocella | .... | producer | |
| Pino De Martino | .... | producer | |
Original Music by | |||
| Piero Umiliani | |||
Cinematography by | |||
| Marcello Masciocchi | |||
Film Editing by | |||
| Cesare Bianchini | |||
Production Design by | |||
| Giorgio Postiglione | |||
Costume Design by | |||
| Giorgio Postiglione | |||
Makeup Department | |||
| Carlo Renzini | .... | makeup artist | |
Production Management | |||
| Bruno Evangelisti | .... | production manager | |
Special Effects by | |||
| Vitantonio Ricci | .... | special effects | |
Camera and Electrical Department | |||
| Giovanni Canfarelli Modica | .... | assistant camera (as Gianni Modica) | |
| Vincent Celli | .... | chief electrician (as Vincenzo Celli) | |
| Eraldo Martella | .... | key grip | |
| Ruggero Rinaldi | .... | key grip | |
| Antonio Schiavo Lena | .... | camera operator | |
Costume and Wardrobe Department | |||
| Sara Santarelli | .... | dress maker | |
Editorial Department | |||
| Mario Giacco | .... | assistant editor | |
Other crew | |||
| Sergio Sagnotti | .... | master-at-arms | |
| Franco Tupini | .... | production secretary | |
| Patrizia Zulini | .... | script supervisor | |
| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Italy section |
One of a number of cheaply made Italian Westerns designed to cash in on the Django brand name, "W Django!" a.k.a. "A Man Called Django", doesn't compare of course to the original Franco Nero film but is still very acceptable non-think entertainment that keeps you watching for an hour and a half. In this story the cunning bounty hunter is actually married, but the poor woman lasts barely a minute and a half; she's assaulted and gunned down by bandits. A year later Django (Anthony Steffen) comes to a small town and learns that a thief about to be hanged, Carranza (Stelio Candelli) can identify the members of that gang, so he saves his life. The two men are then united as Carranza points out one lowlife at a time while bodies regularly get pumped full of bullets and a shipment of guns plays into the plot. Don't look for too much story here, but you can expect a fair amount of style, courtesy of director Edoardo Mulargia, and the violence is pretty constant; the body count in this thing is impressive. You can also expect a LOT of comedy in this thing, thanks to writer Nino Stresa. Candelli in particular is an absolute hoot. The acting is competent all the way down the line; horror fans may recognize Chris Avram from Mario Bavas' "A Bay of Blood", cast here as the outlaw Jeff. Esmeralda Barros adds appreciable eye candy as Lola, and Donato Castellaneta is quite appealing as saloon owner Paco. Some fans of Italian Westerns may find that ultimately it gets too silly, but it's undeniably very lively from start to finish and hard not to like. Steffen may not be Franco Nero, but he's pretty cool in his own right and the viewer simply has to love how ingenious he is. He establishes himself as a cool customer soon after his entrance, and he comes up with nifty ways to trick various bad guys. (The bit with the fake arm is a show-stopper.) All in all, this is quite agreeable and well worth a viewing. Seven out of 10.