A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds ... See full summary »
The French computer programmer Laura inherits the task of making a computer game of the Battle of Okinawa during World War II. She searches the internet for information on the battle, and ... See full summary »
An unexpected response to Pinochet's 1973 coup d'etat in Chile. A Super-8 film apparently found in an embassy -as it's written in the original title-, where political activists had taken ... See full summary »
This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism, whose films were repeatedly banned in the Soviet Union. Modern ... See full summary »
Paris 2002. Yellow cats appears on the walls. Chris Marker is looking for these mysterious cats and captures with his camera the political and international events of these last two years (war in Iraq...).
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
Chris Marker's usual mix of "borrowed" pieces of different film textures (film, video, animation, photographs, paintings) serves as a poetic, passionate and very sound warning against the widespread, business-like, matter-of-fact killing of whales around the world. If today its message may sound obvious to most of us -- almost everybody is aware of the danger of whale extinction, though of course there are still killings out there -- it can still be enlightening as to the appalling methods of whale-hunting worldwide through the ages, as well as the very special place that this big cetacean has occupied in human mythology, history, economics and art, the "challenge" of little men killing the biggest animals on the planet, and making the mo$t of it.
The quality of the images vary tremendously, and for sure there are scenes that will make you cringe with horror (not unlike Geroges Franju's 1949 one-day-in-a-slaughterhouse "Le Sang des Bêtes"). Marker's incomparable talent for weaving his commentary with creative insight, historical research, wit, irony and common sense elevates this short film above the routine ecological documentary.
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