Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden... See full summary »
Fernando Di Leo
One of the first films about the mafia occurrence, in which the fight is hopeless, because "the polyp's feeler" reaches everything and everybody. A police inspector and a deputy public ... See full summary »
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
Vittorio Borghi, a middle-aged journalist torn between young mistress and wife he no longer loves , returned to his hometown Mantua. There he remembers childhood in the era of fascism, war and ghost of another woman he never forgot.
Enrico Maria Salerno,
This is a very hard film to review fairly in its currently available format--an English-dubbed videotape from Finland. La Violenza: Quinto Potere (titled The Sicilian Checkmate on the tape) is an extremely talky courtroom drama steeped in Italian politics of the period, and therefore is pretty hard going for an Anglophone audience unfamiliar (as am I) with the topic. Taking place almost entirely during a murder trial, the film details in significant detail the deep roots sunk by organised crime in the business and political life of Sicily. There are a few flashbacks which include what little 'action' the film includes, but the vast majority of the film is a lengthy indictment of mafia corruption.
IMDb indicates Sicilian Checkmate was shot in a 2.35:1 ratio, but the tape is in 1.66:1--not that it actually makes any difference, as the film basically takes place in a single room. Of some note is Ennio Morricone's atypically atonal and spare score, which adds a threatening quality to the proceedings. All in all, this is a tough film to like--but would seem to be a perfect candidate for DVD restoration by the good folks at No Shame. I'd also love to know if this film ever actually had a cinema release in English-speaking territories--and who authorised the expense of recording the English language dub!
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