A detective (inspector Rogas) is assigned to investigate the mysterious murders of some Supreme Court judges. During the investigation he discovers a complot that involves the Italian ... See full summary »
A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.
Gian Maria Volonté,
When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but ... See full summary »
Vittorio Borghi, a middle-aged journalist torn between young mistress and wife he no longer loves , returned to his hometown Mantua. There he remembers childhood in the era of fascism, war and ghost of another woman he never forgot.
Enrico Maria Salerno,
In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of ... See full summary »
Enrico Maria Salerno
This is a very hard film to review fairly in its currently available format--an English-dubbed videotape from Finland. La Violenza: Quinto Potere (titled The Sicilian Checkmate on the tape) is an extremely talky courtroom drama steeped in Italian politics of the period, and therefore is pretty hard going for an Anglophone audience unfamiliar (as am I) with the topic. Taking place almost entirely during a murder trial, the film details in significant detail the deep roots sunk by organised crime in the business and political life of Sicily. There are a few flashbacks which include what little 'action' the film includes, but the vast majority of the film is a lengthy indictment of mafia corruption.
IMDb indicates Sicilian Checkmate was shot in a 2.35:1 ratio, but the tape is in 1.66:1--not that it actually makes any difference, as the film basically takes place in a single room. Of some note is Ennio Morricone's atypically atonal and spare score, which adds a threatening quality to the proceedings. All in all, this is a tough film to like--but would seem to be a perfect candidate for DVD restoration by the good folks at No Shame. I'd also love to know if this film ever actually had a cinema release in English-speaking territories--and who authorised the expense of recording the English language dub!
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