Frankie Howerd stars in this comedy as a lowly boot-boy who is a terrible coward. He only goes to war in 1914 after he has been hypnotised to 'save England'. With the German master plan ...
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Frankie Howerd stars in this comedy as a lowly boot-boy who is a terrible coward. He only goes to war in 1914 after he has been hypnotised to 'save England'. With the German master plan tattooed on his backside (this is the only way he could get the plan back to the British), he goes to the British headquarters, with the Germans in hot pursuit, to try and 'hand over the plans'!!! Written by
Graeme Huggan <firstname.lastname@example.org>
I have to say this film is a big disappointment especially when you see the actors in it. Frankie Howerd was always better with a live audience to bounce catchphrases off (he could make three jokes last over half an hour like that). This film also features stalwarts of the British film scene such as Stanley Holloway, William Mervyn, Bill Fraser, Dora Bryan and Lance Percival with early bit parts for Bob Hoskins and Mike Grady. Madeline Smith provides the love interest for most of the film as Fanny, loved by both Lurk (Howerd) and Groping (Fraser). Zsa Zsa Gabor turns up as Mata Hari which says a lot about the film and the state of Gabor's career at the time. Jonathan Cecil gives one of his best performances as the twit son of the family who becomes a spy and Hermione Baddeley is marvellous as the brothel madame. Gertan Klauber and Stanley Lebor play almost exactly the same characters as they play in Soft Beds, Hard Battles as slightly sinister but ultimately comic heavies. The story is basically about the spy stealing the German master plan for the war and the efforts of the Germans to get it back while the Brits try to get it to the General at HQ. It ought to have been a lot better. I do have a big soft spot for this film despite its failings.
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