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Une belle fille comme moi (1972)

Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »

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(novel), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
...
Maître Murene
...
Arthur
Guy Marchand ...
Roger, aka Sam Golden
...
Stanislas Prévine
Anne Kreis ...
Hélène
Philippe Léotard ...
Clovis Bliss
Gilberte Géniat ...
Isobel Bliss
Michel Delahaye ...
Marchal
Danièle Girard ...
Florence Golden
Jérôme Zucca ...
L'enfant cinéaste amateur
Gaston Ouvrard ...
Le vieux gardien de prison / Old prison warder
Martine Ferrière ...
La secrétaire de la prison / Prison Secretary
Jacob Weizbluth ...
Alphonse, le muet / Alphonse, the mute
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Storyline

Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and her husband Clovis. She tells Stanislas her life and her love affairs... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 September 1972 (France)  »

Also Known As:

A Gorgeous Bird Like Me  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)
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Did You Know?

Connections

Referenced in Frances Ha (2012) See more »

Soundtracks

Une belle fille comme moi
Music by Jacques Datin
Lyrics by Jean-Loup Dabadie
(Editions Igloo-Marouani)
Performed by Bernadette Lafont (uncredited)
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User Reviews

 
Real fun
5 January 2009 | by (Portugal) – See all my reviews

I must begin by admitting my headlong love for Truffaut's work. As connoisseur ratings go, this might not be his best film (Jules et Jim, Argent de Poche, Le Dernier Metro, Baisers Volés, Tirez sur le Pianiste, and Les 400 Coups are all at least as good and possibly better) but there is just so much life, tongue in cheek, unbridled pleasure in directing and in treating life as art, and the acting is so deceptively simple that I have to say this is probably my most favourite film by one of my most favourite directors. The initial sequence with the young dilettante's flatulent and cursing father kicking her rugby style sets the tone for the rest of the film, consistently pitting the stupidity of the male against the instinctive and openly unscrupulous intelligence of the leading female (there is hope yet in the typist but she is not the one all the men fall in love with...) Glorious comic touches sprinkle the film but if I had to select the cherry on this cake that would be the sequence where Denner, the rat exterminator, is waiting for Bernadette to come back from her visit to the singer. Look at how he tries to establish where the racing cars are that he hears but cannot see on the open road! Oh you must see this!


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