Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
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At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and her husband Clovis. She tells Stanislas her life and her love affairs... Written by
I must begin by admitting my headlong love for Truffaut's work. As connoisseur ratings go, this might not be his best film (Jules et Jim, Argent de Poche, Le Dernier Metro, Baisers Volés, Tirez sur le Pianiste, and Les 400 Coups are all at least as good and possibly better) but there is just so much life, tongue in cheek, unbridled pleasure in directing and in treating life as art, and the acting is so deceptively simple that I have to say this is probably my most favourite film by one of my most favourite directors. The initial sequence with the young dilettante's flatulent and cursing father kicking her rugby style sets the tone for the rest of the film, consistently pitting the stupidity of the male against the instinctive and openly unscrupulous intelligence of the leading female (there is hope yet in the typist but she is not the one all the men fall in love with...) Glorious comic touches sprinkle the film but if I had to select the cherry on this cake that would be the sequence where Denner, the rat exterminator, is waiting for Bernadette to come back from her visit to the singer. Look at how he tries to establish where the racing cars are that he hears but cannot see on the open road! Oh you must see this!
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