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Twins of Evil (1971)

R | | Horror | June 1972 (USA)
A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Katy, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.

Director:

Writers:

(screenplay), (characters created by) (as J. Sheridan Le Fanu)
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Cast

Cast overview, first billed only:
...
...
Dietrich
...
Maria Gellhorn
...
Frieda Gellhorn (as Madelaine Collinson)
...
Ingrid Hoffer
...
Katy Weil
Shelagh Wilcocks ...
Lady in Coach (as Sheelah Wilcox)
...
...
Anton Hoffer
Harvey Hall ...
Franz
Alex Scott ...
Hermann
Judy Matheson ...
Woodman's Daughter
...
Gerta
Katya Wyeth ...
Inigo Jackson ...
Woodman
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Storyline

In nineteenth century middle-Europe, orphaned teenage twins Maria and Frieda go to live with their uncle Gustav Weil, who heads the Brotherhood, a vigilante group trying to stamp out vampirism. But their methods are random and misplaced and the only result is a terrorised populace. The real threat lies with Count Karnstein, and although the twins seem outwardly to be identical, Frieda finds herself much more drawn than her sister to the Count's castle dominating the skyline. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

One Uses Her Beauty For Love! One Uses Her Lure For Blood! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

June 1972 (USA)  »

Also Known As:

The Gemini Twins  »

Box Office

Budget:

£205,067 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Mary Collinson and Madeleine Collinson were from Malta and still had thick Maltese accents. As they had done with other foreign actors, Hammer simply had their dialog replaced by British performers. See more »

Goofs

When Count Karnstein sacrifices the girl in the altar, in one shot we see her face while the knife hits her heart, and she is looking to her right screaming. On the next shot, while the Count puts the knife out, she is dead and looking to her left. See more »

Quotes

Count Karnstein: What's the meaning of this, Weil? Out witch-hunting again? You've come to the wrong place.
Gustav Weil: We seek the servants of the devil.
Count Karnstein: Well, you've found one. Me! Now get out!
See more »

Connections

Referenced in Cinemassacre's Monster Madness: The Vampire Lovers (2014) See more »

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User Reviews

 
Hammer's finest
16 August 2003 | by (Leeds, England) – See all my reviews

From it's stunning opening to its shattering climax, Twins of Evil is an unremittingly brutal movie. Burnings, stabbings and decapitations are unflinchingly displayed, and, because this *is* a seventies Hammer film, there's some softcore nudity as well. But for all that, this is also a supremely elegant film that shies from clear-cut good and evil distinctions, preferring to paint its characters in subtler shades. Peter Cushing gives a magnificent performance, taking the single-minded fanaticism of his Van Helsing character and notching it up several degrees to create the truly terrifying Gustav Weil. Weil, a ruthless, sexually-repressed Puritan, gets his kicks from burning young women whom he accuses of witchcraft. Only Cushing could imbue the potentially laughable line 'the devil has sent me twins of evil!' with a shiver of sexual pleasure as he anticipates the inevitable pyre.

Visually, Twins of Evil is stunning. There are several set-piece moments, including a beautifully directed vampire resurrection, and the climactic tableau on the steps of Karnstein Castle. The film is saturated in blues and greens, which only makes the dayglo-red blood seem all the more shocking. The score, and the opening theme in particular, is memorable.

Twins of Evil is a remarkable film, taking the grandeur of The Brides of Dracula and the brutal intensity of Frankenstein Must Be Destroyed, and combining them with the new house style introduced in The Vampire Lovers. What really distinguishes it from its contemporaries is Cushing's brilliant performance: more villainous than the dandyish Count Karnstein, more heroic than the ponderous Anton, the synthesis of antagonist/protagonist in Weil elevates Twins of Evil to genuine greatness. The best of Hammer's latterday horror films.


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