| Alberto Dell'Acqua | ... | Sartana (as Robert Widmark) | |
| Harry Baird | ... | Trinità | |
| Beatrice Pella | ... | Maribel (as Beatrice Pellh) | |
| Stelio Candelli | ... | Burton | |
| Dante Maggio | ... | Bud Benny Bud (as Dan May) | |
| Ezio Marano | ... | The Tiger (as Alan Abbott) | |
| Lars Bloch | ... | Clyde | |
| Enzo Andronico | ... | Maribel's Brother | |
| Carla Mancini | ... | Peasant Girl | |
| Domenico Maggio | ... | Tiger's Man | |
| Nino Nini | |||
| Daniela Giordano | ... | Martha | |
| rest of cast listed alphabetically: | |||
| Gilberto Galimberti | ... | Willie, Stage Driver (unconfirmed) | |
| Fortunato Arena | ... | Sheriff (uncredited) | |
| Dino Cassio | ... | Sheriff - in the 'incipit' (uncredited) | |
| Enzo Maggio | ... | Jeremiah (uncredited) | |
| Nello Pazzafini | ... | Mexican Soldier at Fort (uncredited) | |
| Riccardo Petrazzi | ... | Clyde Henchman (uncredited) | |
| Osiride Pevarello | ... | Mexican Soldier at Fort (uncredited) | |
| Romano Puppo | ... | Captain Bill McCorney (uncredited) | |
| Claudio Ruffini | ... | Clyde Henchman (uncredited) | |
| Sergio Testori | ... | Clyde Henchman (uncredited) | |
| Pietro Torrisi | ... | Henchman (uncredited) | |
| Franco Ukmar | ... | Henchman (uncredited) | |
Directed by | |||
| Mario Siciliano | |||
Writing credits(in alphabetical order) | ||
| Adriano Bolzoni | screenplay | |
| Adriano Bolzoni | story | |
Original Music by | |||
| Carlo Savina | |||
Cinematography by | |||
| Gino Santini | |||
Film Editing by | |||
| Carla Fusco | |||
Production Design by | |||
| Francesco Cuppini | |||
Costume Design by | |||
| Osanna Guardini | |||
Makeup Department | |||
| Erminio Giangrosi | .... | hair stylist | |
| Massimo Giustini | .... | makeup artist | |
Production Management | |||
| Nino Milano | .... | production manager | |
| Carlo Zanotti | .... | production supervisor | |
Sound Department | |||
| Renato Cadueri | .... | sound mixer | |
| Fiorenzo Magli | .... | sound | |
Stunts | |||
| Goffredo Unger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alvaro Lanzoni | .... | camera operator | |
| Edmondo Pisani | .... | assistant camera | |
| Ermanno Serto | .... | still photographer | |
Editorial Department | |||
| Francesca Marino | .... | assistant editor | |
Other crew | |||
| Ian Danby | .... | dialogue coach | |
| Uti Hof | .... | assistant dialogue coach | |
| Bona Magrini | .... | production secretary | |
| Recent Posts (updated daily) | User |
|---|---|
| This Movie is sooooo Bad...That I Like It. | Miss_Peterpuffer |
| Cast Discrepancies | normhewittnz |
| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Italy section |
Ready for some cold spaghetti from the bottom of the pot? Despite being a good looking production, Trinity & Sartana is about as sophisticated as a Three Stooges short, only with fewer laughs, no chemistry from the two leads, and the worst spaghetti western score I've ever heard. Also, whoever designed "Sartana's" costume should be tarred and feathered.
Harry Baird, who plays Trinity (that's Trinity from Trinidad) and who's usually in better movies, heads a cast of familiar European faces in this typical tale of a couple of outlaws who find it easy to rob banks but hard to keep the money since Trinity (from Trinidad) keeps giving away the loot.
It's a testament to the popularity of the real Trinity and the real Sartana (and the real Django for that matter) that literally dozens of (mostly) dull movies came along to capitalize on them by attempting to trick unsuspecting moviegoers into watching inferior films.