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Trafic (1971)

 -  Comedy  -  11 December 1972 (USA)
7.3
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Ratings: 7.3/10 from 3,014 users  
Reviews: 19 user | 31 critic

Mr. Hulot drives a recreational vehicle from Paris to Amsterdam in his usual comic, disasterous style.

Director:

Writers:

(original scenario), (artistic collaboration), 1 more credit »
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Title: Trafic (1971)

Trafic (1971) on IMDb 7.3/10

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Cast

Complete credited cast:
...
Monsieur Hulot (as Mr. Hulot)
Marcel Fraval ...
Truckdriver
Honoré Bostel ...
Director of ALTRA
François Maisongrosse ...
François (as F. Maisongrosse)
Tony Knepper ...
Mechanic
Franco Ressel
Mario Zanuelli
Maria Kimberly ...
Maria
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Storyline

At Altra Motors, Mr. Hulot designs an ingenious camper car with lots of clever features. A lorry hauls the prototype to an important auto show in Amsterdam, with Mr. Hulot alongside in his car and a spoiled, trendy PR exec, the young Maria, in her sports car packed with designer clothes and her fluffy dog. The lorry has every imaginable problem, delaying its arrival. A flat tire, no gas, an accident, a run-in with police, a stop at a garage, and numerous traffic jams showcase vignettes of people and their cars. Through interactions with these down-to-earth folks, Maria gradually loses her imperious conceit, becoming much more relaxed and fetching. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

G | See all certifications »
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Details

Country:

|

Language:

| |

Release Date:

11 December 1972 (USA)  »

Also Known As:

Traffic  »

Box Office

Gross:

SEK 1,215,771 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Because of an argument between, Jacques Tati and Bert Haanstra, Haanstra left the production. See more »

Goofs

Several (Dutch) license plates can be seen on various different vehicles, sometimes even in the same shot. For instance the license plate "FT-92-65" can be seen in the petrol station scene on both a Peugeot 504 and a Chrysler 180. Later the same plate is on a Peugeot 204 passing in front of the exhibition center. In the "road rage" scene the number 76-04-NF is on both the Renault 16 and the Citroën ID. Shortly after the same plate is on an Opel Kadett parked in front of the exhibition center. See more »

Connections

Referenced in The Illusionist (2010) See more »

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User Reviews

 
A Piece of Cinema History
21 May 2002 | by (Netherlands) – See all my reviews

Whilst not Tati's best by any stretch of the imagination the genius of the man still shines through. Having lived in France for a while I see more humour in this film, particularly in the comedic observation, than before. The French may be fanatical about cinema and may well have produced some of the world's greatest film makers but out and out comedy probably ranks well down in terms of output. Maybe it's something to do with the French sense of humour (whatever that may be). Unlike British, and to a lesser extent US comedy, self-parody is not a French strength. It could be something to do with their history and education but the culture, so strong in literature and the arts seems not to demean itself with pure laughter. Most cinema fans would probably be hard put to list 10 French comedies - other than perhaps drama with the occasional comic undertones. Les Visiteurs (the original not the recent re-make) is probably one of the better examples but here again there's little or no self-mocking.

So it was left to Tati to mine the seam - and how well he mined it. Here he takes the smallest of French (dare I say Parisian) mannerisms and extends them into lengthy scenes of beautifully observed comedy. Whether it's the windscreen wipers in tune with the occupants or the nose-picking drivers, he asks the French to at least smile, if not laugh out loud, at themselves.

Yes, the film does move at rather a slow pace and there are times when the comic observation sags, but the sight of dear old M Hulot in his mackintosh, loping along with pipe jutting from his mouth will ever remain one of cinema's delights.


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