| Yves Montand | ... | Him, Jacques | |
| Jane Fonda | ... | Her, Suzanne | |
| Vittorio Caprioli | ... | Factory Manager | |
| Elizabeth Chauvin | ... | Genevieve | |
| Castel Casti | ... | Jacques | |
| Éric Chartier | ... | Lucien | |
| Louis Bugette | (as Bugette) | ||
| Yves Gabrielli | ... | Léon (as Yves Gabrieli) | |
| Pierre Oudrey | ... | Frederic | |
| Jean Pignol | ... | Delegate | |
| Anne Wiazemsky | ... | Leftist woman | |
| Marcel Gassouk | |||
| Didier Gaudron | ... | Germain | |
| Michel Marot | |||
| Hugette Mieville | ... | Georgette | |
| Luce Marneux | |||
| Natalie Simon | |||
| Cristiana Tullio-Altan | (as Chris Tullio) | ||
| Ibrahim Seck | |||
| rest of cast listed alphabetically: | |||
| Eric Charden | ... | Himself | |
| Guy Lelarge | ... | Jaques | |
Directed by | |||
| Jean-Luc Godard | |||
| Jean-Pierre Gorin | |||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | ||
| Jean-Pierre Gorin | ||
Produced by | |||
| Jacques Dorfmann | .... | associate producer | |
| Jean-Pierre Rassam | .... | executive producer | |
| Jean-Pierre Rassam | .... | producer | |
Cinematography by | |||
| Armand Marco | |||
Film Editing by | |||
| Claudine Merlin | |||
| Kenout Peltier | |||
Production Design by | |||
| Jacques Dugied | |||
Second Unit Director or Assistant Director | |||
| Isabelle Pons | .... | assistant director | |
Sound Department | |||
| Antoine Bonfanti | .... | sound | |
| Bernard Ortion | .... | sound | |
Camera and Electrical Department | |||
| Yves Agostini | .... | first assistant camera | |
| Anne-Marie Miéville | .... | still photographer | |
Music Department | |||
| Jean-Michel Rivat | .... | musician | |
| Recent Posts (updated daily) | User |
|---|---|
| Godard's Attempt at Being Labeled a Marxist | redxbaron |
| The STUPIDEST EFFING MOVIE EVER!!! | unfabulous36 |
| Wes Anderson | Spardocus |
| A curiosity | Odradk |
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| The Battle of Algiers | Persepolis | Made in Dagenham | 8½ | Potiche |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Godard builds his films from scratch. It's not that he shows up on the first day of shooting with no script or idea of what he wants. He simply works from an entirely different angle than most other directors. In an inventive, cerebral, pretentious manor, Godard and his co- director here, Jean-Pierre Gorin, shows us scene after scene. After each one, we naturally ask ourselves questions pertaining to the characters and the story. The story, or should I say the film, unravels further. We then not only ask ourselves the expected question, "What does this movie mean?" We also ask ourselves, "What is this movie about?" Godard drops characters and settings into a stirring pot, sprinkling it with title cards and captions, then pours them all into the oddly shape bowl of a film structure that he has fashioned himself. His cinematic expression is less a communication to and more a confrontation with the audience. He does not make his film easy on you. Still, his cinematography is interesting, and I admire some of his ideas.
Have I made it unclear where Tout Va Bien stands in my opinion? OK. Well, let me tell you that it is quite an interesting film, an especially unpredictable one, yet Godard and Gorin, as the occasional European filmmaker will do, just as Haneke does, enjoy the feeling of being beyond the audience. What is said with Tout Van Bien, politically, socially, sexually, is expressed as if we, the audience, are the ignorant ones he is in disagreement with.
The high points of this film are the presence of Jane Fonda and a very very long sideways steadicam shot that slowly moves from left to right repeatedly across several check-out lines in a grocery store as tension and rage slowly builds.