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Tout va bien (1972)

 -  Drama  -  16 February 1973 (USA)
6.7
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Ratings: 6.7/10 from 2,025 users  
Reviews: 30 user | 24 critic

Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.

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Title: Tout va bien (1972)

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Cast

Cast overview, first billed only:
...
...
Vittorio Caprioli ...
Factory Manager
Elizabeth Chauvin ...
Genevieve
Castel Casti ...
Jacques
Éric Chartier ...
Lucien
Louis Bugette ...
Georges (as Bugette)
Yves Gabrielli ...
Léon (as Yves Gabrieli)
Pierre Oudrey ...
Frederic
Jean Pignol ...
Delegate
...
Leftist woman
Marcel Gassouk
Didier Gaudron ...
Germain
Michel Marot
Hugette Mieville ...
Georgette
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Storyline

Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies. Written by Mikael Halila <mikael.halila@pp.inet.fi>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

16 February 1973 (USA)  »

Also Known As:

All's Well  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

References Contempt (1963) See more »

Soundtracks

Il y'a du soleil sur la France
Lyrcis by Franck Thomas & Jean-Michel Rivat
Music by Eric Charden
Performed by Stone et Charden
See more »

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User Reviews

 
Interesting Godard
29 September 2008 | by (Mexico) – See all my reviews

I've read commentaries of it being a lesser or unaccessible Godard, but for me it was just astonishing; seriously this film is brilliant on so many levels. Sure is kind of in your face consumerism and capitalism critic, but it has beautiful imagery with interesting symbolism, narratively speaking the way the story is presented with it's long lateral takes (the supermarket tracking shot is awesome)and also the film within a film concept in a very unorthodox way (the way he reminds us it's all a film by showing us the that the factory is a set for example)was fascinating, Godard being represented (mocking himself?) by Montad in that scene where he's interviewed(the part in which Montad speaks about the nouvelle vague) and the beautiful use of color made for a haunting experience for me.


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