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Tout va bien (1972)
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Overview
User Rating:
Release Date:
16 February 1973 (USA) morePlot:
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris. full summary | add synopsisAwards:
1 win moreUser Comments:
Interesting Godard moreCast
(Cast overview, first billed only) | Yves Montand | ... | Him, Jacques |
 | Jane Fonda | ... | Her, Suzanne |
 | Vittorio Caprioli | ... | Factory Manager |
| Elizabeth Chauvin | ... | Genevieve |
| Castel Casti | ... | Geneviève |
| Éric Chartier | ... | Lucien |
| Louis Bugette | (as Bugette) | |
| Yves Gabrielli | ... | Léon (as Yves Gabrieli) |
| Pierre Oudrey | ... | Frederic |
| Jean Pignol | ... | Delegate |
| Anne Wiazemsky | ... | Leftist woman |
| Marcel Gassouk | ||
| Didier Gaudron | ||
| Michel Marot | ||
| Hugette Mieville |
Additional Details
Also Known As:
All's Well (USA)Crepa padrone, tutto va bene (Italy)
Just Great (International: English title)
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Parents Guide:
Add content advisory for parentsRuntime:
USA:95 minColor:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoFun Stuff
Soundtrack:
Il y'a du soleil sur la France moreFAQ
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Message Boards
Discuss this movie with other users on IMDb message board for Tout va bien (1972)| Recent Posts (updated daily) | User |
|---|---|
| The STUPIDEST EFFING MOVIE EVER!!! | unfabulous36 |
| A curiosity | Odradk |
| Godard's Attempt at Being Labeled a Marxist | redxbaron |
| Wes Anderson | Spardocus |
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I've read commentaries of it being a lesser or unaccessible Godard, but for me it was just astonishing; seriously this film is brilliant on so many levels. Sure is kind of in your face consumerism and capitalism critic, but it has beautiful imagery with interesting symbolism, narratively speaking the way the story is presented with it's long lateral takes (the supermarket tracking shot is awesome)and also the film within a film concept in a very unorthodox way (the way he reminds us it's all a film by showing us the that the factory is a set for example)was fascinating, Godard being represented (mocking himself?) by Montad in that scene where he's interviewed(the part in which Montad speaks about the nouvelle vague) and the beautiful use of color made for a haunting experience for me.