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Tout va bien (1972)

 -  Drama  -  16 February 1973 (USA)
6.7
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Ratings: 6.7/10 from 1,992 users  
Reviews: 30 user | 24 critic

Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.

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Cast

Cast overview, first billed only:
...
...
Vittorio Caprioli ...
Factory Manager
Elizabeth Chauvin ...
Genevieve
Castel Casti ...
Jacques
Éric Chartier ...
Lucien
Louis Bugette ...
Georges (as Bugette)
Yves Gabrielli ...
Léon (as Yves Gabrieli)
Pierre Oudrey ...
Frederic
Jean Pignol ...
Delegate
...
Leftist woman
Marcel Gassouk
Didier Gaudron ...
Germain
Michel Marot
Hugette Mieville ...
Georgette
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Storyline

Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies. Written by Mikael Halila <mikael.halila@pp.inet.fi>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

16 February 1973 (USA)  »

Also Known As:

All's Well  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

Referenced in The Sex Life of the Belgians (1994) See more »

Soundtracks

Il y'a du soleil sur la France
Lyrcis by Franck Thomas & Jean-Michel Rivat
Music by Eric Charden
Performed by Stone et Charden
See more »

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User Reviews

 
Good One
29 November 2008 | by (United States) – See all my reviews

Jean-Luc Godard's follow-up to the ultra-Maoist Weekend, featuring Yves Montand as a former New Wave filmmaker and his wife Jane Fonda, as they become active in a factory takeover. The film is of course very sympathetic to Marxism and perhaps Leninism, but it's certainly toned down from the blood fest that is Weekend, perhaps regrettably. Godard insists on reinterpreting and imposing entirely new ideas about what a film can and ought to be, in this case an intellectualized espousal of the working class struggle. A few moments of daring misce-en-scene are worth mentioning; fist, Godard includes an awesome cutaway of the factory to reveal the power-dynamics of the uprising within, and an elaborate tracking sequence in a supermarket to reveal the gross stupidity of capitalist consumerism. Tout Va Bien is clearly a step-down from Godard's brilliant features of the 60's, but it's still provocative and worth any cinephile's time.


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