Ex-gangster Fernand (Lino Ventura) receives a call from a dying friend, a mob boss nicknamed "The Mexican". The doomed mobster talks Fernand into taking care of some criminal business and ... See full summary »
Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »
Le journaliste Fandor invente une interview avec le mystérieux Fantomas. Fantomas s'indigne et enlève le journaliste pour le contraindre à dire la vérité et comme Fandor ne fait pas cela, ... See full summary »
Louis de Funès,
A cold-war spy parody. After the death of an armaments manufacturer, an international group of spies is drawn into a high-stakes battle of wits to obtain the valuable military patents which... See full summary »
"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from ... See full summary »
Quatre amis, Etienne, Daniel, Simon et Bouly ont du mal à grandir et, la quarantaine révolue, continuent de se jouer des tours. Etienne, qui est toujours resté fidèle à sa femme, tombe ... See full summary »
After the recently re-elected President of a fictitious state has been assassinated, one of the members of the investigation committee refuses to sign the final report and is given the task... See full summary »
Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, ... See full summary »
Louis de Funès,
This satire, set in a commercial radio station is in some sense similar to Weird Al Yankovic's UHF. The emphasis is more on satire than comedy though and it tries too hard to be topical. As a result, it has badly aged. When I watched it, I didn't know when it was made but it was instantly clear that it could not have been made after 1973 and not before 1971, and that 1972 was very likely indeed. The problem is that the things it satirises were topical for its time, but many have long since faded to be issues. Still, that makes it an interesting document of its era.
Having said that the film has a few glorious moments of comedy, especially whenever Bernard Blier enters the frame; as ever, an excellent example of dead-pan delivery. The weakest ingredient of the whole piece is Jean Yanne as the leading actor. While Monsieur Yanne does a reasonable job as director, he forgets to direct himself. His attitude "I'm the hero, you are all supposed to love me" gets soon on your nerves, it alienates.
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