Frankie Howerd stars in this comedy as a lowly boot-boy who is a terrible coward. He only goes to war in 1914 after he has been hypnotised to 'save England'. With the German master plan ... See full summary »
Either you've got it or you haven't - some like randy young Timothy Lea (Robin Askwith), manage to get it all the time! Signing up with a pop group, our boisterous hero progresses rapidly ... See full summary »
Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly ... See full summary »
A seedy striptease club in London's West End becomes the target for unpleasant crooks. The club's owners are blackmailed into paying out large wads of cash, but star attraction Mary Millington saves the day with her energetic stripping.
John M. East
Porn store owner Pete orders some new stuff from his supplier Niko but Niko mixes up the address with the address of the local Barclays Bank. Here, newly-weds David (the bank's assistant ... See full summary »
A sophisticated London fashion columnist takes a job with a small-town publisher and "moral crusader", much to the dismay of her rich, jealous boyfriend. The "crusader", however, turns out to be not quite what he says he is.
Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old... See full summary »
I decided to check out this British sexploitationer due to its director, who would soon forego this type of film entirely for a series of equally commercial horror efforts (which effectively broadened his range and, clearly, served his particular talents a good deal better!).
This one adds the gimmick of 3-D to the erotic formula: since I rented this, the 3-D glasses which were supplied with the DVD weren't made available to me however, I did own a pair of such glasses (which came with New Line's HAROLD LLOYD COLLECTION of all things!) but, still, the 3-D effect wasn't especially effective. Worse, even when watched without glasses, these sequences were given an unpleasant green/red hue which, coupled with the impossibly fuzzy images, would completely negate the intended effect!
Anyway, the plot is nothing to write home about a young German journalist searches for a missing female compatriot amid Swinging London settings, willing au pair girls and a gang of would-be tough guys. The fact that the 'puzzle' is pieced together via four flashback sequences told by a variety of people (and which comprise the 3-D footage) doesn't make it any more engaging though some of the girls do look good in and out of clothes, while the soundtrack features a Huckleberry Fynn(!!) singing the title tune.
If one wasn't aware that Walker had made this thing, he'd be hard-pressed to see any connection between it and his work in the horror genre; even the director's least such efforts that I've watched (DIE SCREAMING MARIANNE  and THE COMEBACK ) are far better. Besides, for all their low-brow nature, the contemporaneous Italian films made in this vein (which I remember were constant TV fodder during my childhood and which are still regularly revived late at night) display a lot more vitality than this static, quasi-amateurish and extremely boring outing.
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