Prostitute Sugar is set up by a corrupt politician. She is convinced of the futility of appealing her case in the courts and signs on to a chain gang run by the notorious Dr. John who ...
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Beautiful young Daisy feels stuck working as a shopgirl by day and caring for her ailing mother by night. A suicide gone wrong leaves Daisy wrongly imprisoned, while the neighbor whose ... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
Ferdinand is a long-standing employee at Fish Land, the aquatic centre within the globalised leisure complex "Worlds Apart". He's a small, bald forty year-old, and a solitary, anxious ... See full summary »
Nicki believes she's the cause of her father's death and when mom tries to remarry her price in shining armor is the flame that restarts Nicki's nightmare from hell. Nicki is then sent to a... See full summary »
Prostitute Sugar is set up by a corrupt politician. She is convinced of the futility of appealing her case in the courts and signs on to a chain gang run by the notorious Dr. John who performs cruel medical experiments on the people who work for him. Written by
Eric Conrad <firstname.lastname@example.org>
Quality-wise "Sweet Sugar" is standard Women-In-Prison (though the setting is not exactly a prison, but a sugar cane plantation) fare, but it does make an effort to distinguish itself from the pack by mixing broad comedy (the heroine is injected with a drug that turns her on so much that she causes the machine she is connected to to explode!), sadistic violence (including involuntary cannibalism!), supernatural elements (one of the male prisoners knows voodoo and talks to "the spirits"), and just plain weirdness (coming mostly in the form of "the doctor", a creepy nutcase who like to perform "experiments" on the girls just for kicks). Phyllis Davis and Ella Edwards are both strong and attractive heroines, though not quite at the level of, say, Pam Grier and Margaret Markov. The film looks rather good, but it does not flow very well from scene to scene, and the sexy parts as well as the action parts are too short to satisfy. Worth a look for Phyllis and Ella. (**)
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