IMDb > Sweet Georgia (1972)

Sweet Georgia (1972) More at IMDbPro »


Overview

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5.0/10   56 votes »
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Release Date:
19 October 1973 (Japan) See more »
Genre:
Tagline:
Any Man Could Have Her ... But Only The Hardest Was A Match For - "Sweet Georgia" See more »
User Reviews:
I demand a remake! See more (5 total) »

Cast

  (in credits order) (complete, awaiting verification)
Marsha Jordan ... Georgia
Barbara Mills ... Virginia (as Barbara Caron)
Gene Drew ... Big T
Chuck Lawson ... Cal
Bill King Jr. ... Le Roy
Al Wilkins ... Jack

Directed by
Edward Boles 
 
Produced by
Edward Boles .... producer
Harry H. Novak .... executive producer (uncredited)
 
Original Music by
Harold Hensley 
Hal Southern 
 
Cinematography by
Ron Hennessy (director of photography)
 
Film Editing by
Marlene Buckalew 
 
Production Management
Gary Lawrence .... production manager
 
Sound Department
Jeff Burns .... boom boy
Lee Hansen .... sound mixer
 
Camera and Electrical Department
Bradford Flanders .... best boy
Roger Knight .... assistant camera
Roger Lange .... gaffer
 
Other crew
Rachel Edwards .... script clerk
 

Distributors

Additional Details

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Runtime:
60 min | USA:79 min (DVD edition)
Country:
Language:
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FAQ

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2 out of 3 people found the following review useful.
I demand a remake!, 22 August 2006
Author: doc_hartman from Boise, ID

Novak had something here but just couldn't get it to click. Stag film regular Marsha Jordan plays Sweet Georgia, a manipulative Nymphomaniac that will have sex with just about anyone, except her fat, dumb, drunk husband.

The story surrounding these people would be interesting with a little better execution. Jordan is the star but is forced to carry the film farther then her star-power could handle. Barbara Mills as the step-daughter was just plain bad and the male supports, with the exception of Gene Drew as "Big T," were just reciting lines to the best of their ability. Had Novak just played this as a sexploitation project, they might have pulled it off. Jordan plays the manipulative woman very well but we don't care about her victims enough to root for her downfall. The ending is NEVER hinted at and seemed tacked on to make the audience reel-back in revulsion or hurl. Shorter (and better) sex scenes coupled with a bit more character development and this could be a gem of a direct-to-video sexploiter or 2:00 a.m. feature on Cinemax. But until then, leave this on the shelf and rent "Femalien" instead.

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