| Marsha Jordan | ... | Georgia | |
| Barbara Mills | ... | Virginia (as Barbara Caron) | |
| Gene Drew | ... | Big T | |
| Chuck Lawson | ... | Cal | |
| Bill King Jr. | ... | Le Roy | |
| Al Wilkins | ... | Jack |
Directed by | |||
| Edward Boles | |||
Produced by | |||
| Edward Boles | .... | producer | |
| Harry H. Novak | .... | executive producer (uncredited) | |
Original Music by | |||
| Harold Hensley | |||
| Hal Southern | |||
Cinematography by | |||
| Ron Hennessy | (director of photography) | ||
Film Editing by | |||
| Marlene Buckalew | |||
Production Management | |||
| Gary Lawrence | .... | production manager | |
Sound Department | |||
| Jeff Burns | .... | boom boy | |
| Lee Hansen | .... | sound mixer | |
Camera and Electrical Department | |||
| Bradford Flanders | .... | best boy | |
| Roger Knight | .... | assistant camera | |
| Roger Lange | .... | gaffer | |
Other crew | |||
| Rachel Edwards | .... | script clerk | |
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| Tobacco Roody | Deep Jaws | Hollywood Babylon | Secret Things | Evil Come Evil Go |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Novak had something here but just couldn't get it to click. Stag film regular Marsha Jordan plays Sweet Georgia, a manipulative Nymphomaniac that will have sex with just about anyone, except her fat, dumb, drunk husband.
The story surrounding these people would be interesting with a little better execution. Jordan is the star but is forced to carry the film farther then her star-power could handle. Barbara Mills as the step-daughter was just plain bad and the male supports, with the exception of Gene Drew as "Big T," were just reciting lines to the best of their ability. Had Novak just played this as a sexploitation project, they might have pulled it off. Jordan plays the manipulative woman very well but we don't care about her victims enough to root for her downfall. The ending is NEVER hinted at and seemed tacked on to make the audience reel-back in revulsion or hurl. Shorter (and better) sex scenes coupled with a bit more character development and this could be a gem of a direct-to-video sexploiter or 2:00 a.m. feature on Cinemax. But until then, leave this on the shelf and rent "Femalien" instead.