IMDb > Super Fly (1972)
Super Fly
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Super Fly (1972) More at IMDbPro »

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Overview

User Rating:
6.5/10   3,783 votes »
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Director:
Writer:
Phillip Fenty (written by)
Contact:
View company contact information for Super Fly on IMDbPro.
Release Date:
4 August 1972 (USA) See more »
Genre:
Tagline:
Never a dude like this one! He's got a plan to stick it to The Man! See more »
Plot:
The daily routine of cocaine dealer Priest who wants to score one more super deal and retire. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 nomination See more »
User Reviews:
Comment See more (57 total) »

Cast

  (in credits order) (complete, awaiting verification)

Ron O'Neal ... Priest
Carl Lee ... Eddie

Sheila Frazier ... Georgia (as Shiela Frazier)
Julius Harris ... Scatter
Charles McGregor ... Fat Freddie (as Charles MacGregor)
Nate Adams ... Dealer
Polly Niles ... Cynthia
Yvonne Delaine ... Mrs. Freddie
Henry Shapiro ... Robbery Victim
K.C. ... Pimp
James G. Richardson ... Junkie (as Jim Richardson)
Make Bray ... Junkie
Al Kiggins ... Police
Bob Bonds ... Police
Fred Rolaf ... Police

Alex Stevens ... Police
Harry Manson ... Police
Floyd Levine ... Police
Sig Shore ... Deputy Commissioner (as Mike Richards)
Chris Arnett ... Coke Buyer
Cecil Alonzo ... Militant
Gene Chambers ... Militant
John Williams ... Militant
E. Preston Reddick ... Karate Instructor
Lorraine Horn ... Mother In Apartment
Nick Sands ... Contracted Man
Bob Richards ... Contracted Man
Nita Michaels ... Hooker
Vicki McLaughlin ... Hooker

Curtis Mayfield ... Himself (The Curtis Mayfield Experience)
Henry Gibson ... Himself (The Curtis Mayfield Experience)
Lucky Scott ... Himself (The Curtis Mayfield Experience)
Craig McMullen ... Himself (The Curtis Mayfield Experience)
Tyrone McCullough ... Himself (The Curtis Mayfield Experience)

Directed by
Gordon Parks Jr. 
 
Writing credits
Phillip Fenty (written by)

Produced by
Sig Shore .... producer
Irving Stimler .... associate producer
 
Original Music by
Curtis Mayfield 
 
Cinematography by
James Signorelli (director of photography)
 
Film Editing by
Bob Brady 
 
Costume Design by
Nate Adams 
 
Makeup Department
James Farabee .... makeup artist
Walter Fountain .... hair stylist (as Walter Fountaine)
Webster McKnight .... hair stylist
 
Production Management
Cecil Alonzo .... assistant production manager
Nolan Constantine .... production manager
 
Second Unit Director or Assistant Director
Candace Allen .... second assistant director
Kurt Baker .... assistant director
 
Art Department
Tom Jung .... poster designer (uncredited)
 
Sound Department
Jerry Baker .... boom operator
Bob Brady .... sound effects editor
Harry Lapham .... sound
 
Stunts
Erik Cord .... stunt coordinator (uncredited)
Harry Madsen .... stunt performer (uncredited)
Alex Stevens .... stunts (uncredited)
Jesse Wayne .... stunts (uncredited)
 
Camera and Electrical Department
Alex Fernbach .... chief grip
Michael Lesser .... gaffer
Gordon Parks Jr. .... photographer: still sequence
Santiago Perales .... lighting
Minervino Rojas .... camera operator
Robert D. Shulman .... chief electrician (as Bob Shulman)
 
Editorial Department
Fredericka Taylor .... apprentice editor
 
Music Department
Bob Brady .... music editor
Curtis Mayfield .... music arranger
Curtis Mayfield .... orchestrator
Johnny Pate .... conductor
 
Other crew
David Parks .... unit publicist
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Canada:14A | Finland:K-16 | Iceland:16 | Netherlands:18 (orginal rating) | New Zealand:R18 | Norway:16 | Sweden:15 | UK:X (original rating) | UK:18 (video rating) (1988) | USA:R

Did You Know?

Trivia:
The Eldorado Cadillac driven by Priest was owned by KC, the pimp who makes an appearance in the nightclub scene. The deal was that KC would get a part in the movie (in the opening credit it says "and introducing: KC") in exchange for the use of his car.See more »
Goofs:
Crew or equipment visible: The camera crew is reflected in panels of Priest's car during the opening shots.See more »
Quotes:
Youngblood Priest:Can you dig it?See more »
Movie Connections:
Referenced in Meet Bill (2007)See more »
Soundtrack:
Think (Instrumental)See more »

FAQ

This FAQ is empty. Add the first question.
16 out of 23 people found the following review useful.
Comment, 19 September 2004
Author: raysond from Chapel Hill, North Carolina

This was Director Gordon Parks'Jr. follow-up to one of the most successful and also one of the top five highest grossing pictures of 1971,the straight in-your face blaxploitation crime-drama,"Shaft",starring Richard Roundtree. This time around,he goes for the exploitation genre a bit further and this time it comes up a bona fide winner. Say what you want about this film,but when it first came out in the summer of 1972,the film became one of the top ten highest grossing pictures of that year. SUPER FLY was a major classic that was a huge success,and established Gordon Parks to make a second film for Warner Bors. Pictures,because he made history three years earlier as one of the first African-Americans to get financing for his first feature for the Warner Bors. studio,the 1969 autobiographical drama "The Learning Tree". However,SUPER FLY made a fortune for Warner Bors.,since the studio was about to jump on board the blaxploitation genre,and opened the doors for several movies to be produced for the studio,which including the following year the comedies,"Uptown Saturday Night",and the blaxploitation crime-dramas,"Cleopatra Jones",the sequel,"Casino Of Gold","Black Sampson","Black Cobra",and the classic martial-arts adventure/blaxploitation flick "Enter The Dragon". SUPER FLY was a slick urban romp had an appeal to its adult audiences,but because of the content of the film and its usage of drug abuse and drug substance together with the over count of its violent content,made it one of the most controversial movie ever made,and even for the year 1972,it was describe by some to be very intense with its subject matter and explicit language and some nudity. This was in fact shot on an low-budget theme that was released at the beginning of the blaxploitation/Black Cinema experience and it came out at a time when the Black Cinema movement exploded after the huge success of SHAFT and SWEET SWEETBACK. The main character here is Priest(played with absolute perfection by Ron O'Neal),who wants out of the drug business,but wants to make one last score before he calls it quits. Along the way,he is hassled by the cops,former associates and not to mention those who want to settle a score with him,but in all he gets back at them towards the end,but here the film delivers a powerful message here:the emptiness of the American dream. Priest may want to be out of the business,not because he hates them,but dealing with the endless hassle to sell anything illegal,and from that he just trying to make the best of what he has here,not just by selling but by any means necessary to survive. This is one hard edged gritty crime drama that tells it like it is with no holds-barred punches and straight to the point. A real honest look at the effect and ultimate destruction of drugs and the life of the drug dealer up close and personal. With an supporting cast that includes Shelia Frazier as Priest's girlfriend,Georgia,along with Julius Harris, the late Carl Lee,and Charles McGregor,with a brilliant screenplay by Phillip Fenty and music by Curtis Mayfield,whose brilliant soundtrack to this film was Grammy Nominated in 1972 for Best Soundtrack Album and Best R&B Album of that year...whose songs on this soundtrack for this film are standard classics these days,but as for the movie itself,its a piece of Black Cinema not to be missed. Rating:**** out of *****

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Super Fly: the book urgeking
Priest vs. Tony Montana jbbb3
So Sexy, So Fine MoreLord
Why Wasn't There an Oscar Nomination for Best Score? puffball97
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