Straight on Till Morning (1972)A timid, withdrawn woman meets a man she believes is finally the love of her life, unaware that he is a vicious serial killer. Director:Peter CollinsonWriter:John Peacock |
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Straight on Till Morning (1972)A timid, withdrawn woman meets a man she believes is finally the love of her life, unaware that he is a vicious serial killer. Director:Peter CollinsonWriter:John Peacock |
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| Cast overview: | |||
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Rita Tushingham | ... |
Brenda Thompson
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| Shane Briant | ... |
Peter Clive
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| James Bolam | ... |
Joey
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Katya Wyeth | ... |
Caroline
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| Annie Ross | ... |
Liza
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| Tom Bell | ... |
Jimmy Lindsay
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Claire Kelly | ... |
Margo Thompson
(as Clare Kelly)
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Harold Berens | ... |
Mr. Harris
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| John Clive | ... |
Newsagent
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Tommy Godfrey | ... |
Mr. Godfrey
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Mavis Villiers | ... |
Indian Princess
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Lola Willard | ... |
Customer
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Shy Brenda Thompson writes naive children's stories to amuse herself. Stifled and desperate for a man of her own, she leaves Liverpool, telling her mom she's pregnant, and gets a job in a boutique in London. She moves in with the promiscuous but good-hearted Caroline but the mod set shuns her for her plain looks. Then she kidnaps a strange young man's dog, so as to perhaps get to know him while returning it. The young man turns out to be Peter, a psychopath with a predilection for killing beautiful things. He renames Brenda Wendy, and they start a hopeful, if strange, relationship. It might have a chance, if it weren't for Peter's murderous secrets. Written by Leo
Fans of bleak, late 60s/early 70s British cinema might enjoy this sadistic psycho-thriller -- probably the most atypical release from Hammer ever. Rita Tushingham stars as an empty-headed Liverpudlian who escapes from the claustrophobia of her mother's flat only to land in the arms of psychotic Shane Briant who has an ugliness fixation. The DVD release from Anchor Bay looks great although the mono sound is a bit muddled. Downbeat ending doesn't really deliver the goods and I can't tell if Rita's makeover is supposed to be deliberately funny or not. Opening 10 minutes are great but director Collinson abandons the film's earlier, psychedelic editing style once Tushingham and Briant hook up. Still worth catching for the 70s period costumes and sets.