Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the ...
See full summary »
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways... See full summary »
Harry H. Corbett,
Classic 1960s British comedy series about a thirty-something year-old man named Harold and his elderly father, Albert, who work as rag and bone men (collecting and selling junk). Harold is ... See full summary »
Harry H. Corbett,
Terry is divorced from his German wife and has a Finnish girlfriend Christina. At Thelma's suggestion they join her and Bob on a caravan holiday but due to a mishap the men get separated ... See full summary »
The adventures of two "likely lads" ostensibly set in the North East of England (but filmed in Willesden Junction, London). Terry and Bob have been friends since childhood. Bob is the ... See full summary »
Bless This House centres on life in Birch Avenue, Putney, where travelling stationery salesman Sid Abbott (Sidney James) and his wife Jean (Diana Coupland) live with their teenagers: Mike (... See full summary »
Terry and Bob from The Likely Lads (1964) continue their life after Terry arrives home from serving in the Army to discover that Bob is about to marry his girlfriend Thelma. Can Thelma lead... See full summary »
This prison comedy is based on the popular British television series of the same name. Long time Slade prison inmate Fletcher is ordered by Grouty to arrange a football match between the ... See full summary »
Stan gets a little annoyed when his Mum and Sister keep buying expensive items on hire purchase, but the money he earns for overtime working as a bus driver means that he can afford it... ... See full summary »
BBC Television comedy detailing the fortunes of Reginald Iolanthe Perrin. Disillusioned after a long career at Sunshine Desserts, Perrin goes through a mid-life crisis and fakes his own ... See full summary »
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the bright lights in the West End of London, meets a stripper. Fine, but he marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household. Written by
Derek Picken <email@example.com>
At the end of the film, when Harold and Albert get beeped at and overtaken by Prince Philip's Rolls-Royce, they are going down Great George Street, with Big Ben a short distance behind them. But in the next shot, with the Rolls-Royce still just in front of them as if only a few seconds have passed, they are suddenly on the Mall approaching Buckingham Palace, about a mile away. See more »
Chief example of stunted British folly, in place of film.
"Women? They're all scrubbers...!"
No, not a good translation; not at all! This lags behind the previous year's "Dad's Army", entirely missing the special, small-screen magic of the seminal television sitcom original, and failing to play interestingly at all with the big screen... you could just about say that this film well represents a Britain entering decline, and more precisely even than that, a *British film industry* entering decline. And that is hardly a recommendation, is it? To be an exemplar of saddening folly...
All that remains after the subtlety of the TV original has been surgically stripped away, by Cliff Owen, Galton and Simpson are: endless, dilapidated musical cues, yawn, from the Ron Grainer theme... bolstered sentimentality (that shoddy, thick-eared ending... how much bolder does the second Steptoe film seem in comparison) an increased seediness - with director and writers seemingly detaching themselves completely - fully applicable to something like the 'misbegotten monstrosity' (yours truly on this site) from 1973, "The Mutations". There is a strangely botched, cut-adrift tone about the scene where Harold is beaten up in a rugby club, that I partly hate and recoil it (so far, as a friend intimated, from the mood of the TV series...), but this at least seems an original slant, and emblematic of tensions just rising to the boil in the Britain of 1972... There is, however, an implied prostitute, aye of a 'heart-of-gold' who turns loose woman-traitor 'pon poor auld 'Arold - and beyond-caricature writing of the 'class' element; not to mention, surprisingly misjudged performances from the usually redoubtable leads. Brambell and Corbett collude with the script, and indeed fail to cure it of an essential ham. What would Anthony Aloysius Hancock have made of it all...? I will merely concede that a few moments just about work - chiefly those where G & S play things a little more carefully and B & C touch tenderer nerves - and it is not on the whole an unwatchable affair.
But, and oh, how this pains me to say it: it is tiresome, boring, both wilfully detached from reality and what made the TV series great, and also fully in tune with the lazy, tawdry, misogynist 'fuck it, that'll do...' actuality of much of what was allowed to pass for mainstream film-making in the Britain of the time.
12 of 35 people found this review helpful.
Was this review helpful to you?