| Chris Robinson | ... | Tim Ochopee | |
| Alex Rocco | ... | Thomkins | |
| Steve Alaimo | ... | Crail Denning | |
| Susan Carroll | ... | Susie Thomkins | |
| Mark Harris | ... | Bob Wilson | |
| Rey Baumel | ... | Sidney Calvin | |
| Paul Avery | ... | Psycho Simpson | |
| Marcia Knight | ... | Gloria Calvin (as Marcie Knight) | |
| Gary Crutcher | ... | Dr. Everett | |
| Mel Pape | ... | Guard | |
| Milton 'Butterball' Smith | ... | Stage Manager (as Butterball Smith) | |
| Pamela Talus | ... | Girl Friend | |
| William Marquez | ... | Wachula (as Bill Marquez) | |
| Charles Kaufman | ... | Nightclub Drunk | |
| rest of cast listed alphabetically: | |||
| Frank Weed | ... | Rattlesnake Milker (uncredited) | |
Directed by | |||
| William Grefe | (as William Grefé) | ||
Writing credits | ||
| William Grefe | (story) (as William Grefé) | |
| Gary Crutcher | (written by) | |
Produced by | |||
| John H. Burrows | .... | executive producer | |
| William Grefe | .... | producer (as William Grefé) | |
Cinematography by | |||
| Clifford H. Poland Jr. | (director of photography) (as Cliff Poland) | ||
Film Editing by | |||
| Julio C. Chávez | (as Julio Chavez) | ||
Set Decoration by | |||
| Don K. Ivey | (as Don Ivey) | ||
Costume Design by | |||
| Dyke Davis | (uncredited) | ||
Makeup Department | |||
| Marie Del Russo | .... | makeup artist (as Marie del Russo) | |
Second Unit Director or Assistant Director | |||
| Gayle DeCamp | .... | assistant director (as Gayle de Camp) | |
Art Department | |||
| Harold Collins | .... | construction supervisor | |
| Don K. Ivey | .... | set designer (as Don Ivey) | |
| Jack Johnson | .... | property master | |
Sound Department | |||
| William Johnson | .... | boom operator (as Bill Johnson) | |
| Howard Warren | .... | sound director | |
Camera and Electrical Department | |||
| William Carr | .... | key grip (as Bill Carr) | |
| Mike Davis | .... | camera technician | |
| Guy Del Russo | .... | grip crew coordinator (as Guy del Russo) | |
| Walter G. Morris Jr. | .... | gaffer (as Walter Morris Jr.) | |
| Stephen Wever | .... | still photographer (as Steve Wever) | |
| Al Reiners | .... | gaffer (uncredited) | |
Editorial Department | |||
| Corky Busman | .... | assistant film editor | |
Music Department | |||
| Steve Alaimo | .... | music producer | |
| Bobby Radeloff | .... | music producer | |
Transportation Department | |||
| Bob Hall | .... | transportation | |
| Oscar Wilson | .... | transportation | |
Other crew | |||
| Belle Choate | .... | production secretary | |
| Christine M. Loss | .... | script supervisor (as Christine Minsky) | |
| Charles Minsky | .... | assistant to producer (as Chuck Minsky) | |
| Frank Weed | .... | snake trainer | |
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| Death Curse of Tartu | Mako: The Jaws of Death | Crypt of Dark Secrets | Carrie | The Tender Warrior |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Tim Ochopee (Chris Robinson), an embittered Vietnam veteran of Native American descent, retreats from society into the Florida Everglades and becomes inseparable companions with a pet rattlesnake (Stanley)... a pet he teaches to kill on command.
A happy light rock soundtrack about saving trees opens the film, giving it a hippie nature vibe that is hard to reconcile with the actual picture (though, I guess, in some ways it's a pro-snake and anti-hunting film).
At 106 minutes, it runs a bit long, but is oddly enjoyable. That's 106 minutes on the Mill Creek disc. From what I hear, the BCI disc is only 96 minutes and some versions are only 92. I cannot tell you what is cut on each one.
Gloria the dancer (Marcie Knight) says, "any kind of love is better than any kind of hate", echoing the Indian warning that Tim's hatred is a cancer on his soul. I think that must be the theme, though it's really hard to say for sure.
I suppose this film could be scary if you're terrified of snakes, but they aren't really presented in a scary manner. The acting is good, besides over-acting Susie Thomkins (Susan Carroll) ruining an otherwise talented cast. Oh, and the drunk guy in the burlesque house provided the ten seconds of comic relief I needed.
This film isn't terrible. In fact, I found myself staring at the screen quite a bit. I suspect it would be a good flick for a small group of friends and some beers, maybe Milwaukee's Best Ice.