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Solaris (1972)

Solyaris (original title)
A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

Director:

(as Andrey Tarkovskiy)

Writers:

(novel) (as Stanislav Lem), (screenplay) (as F. Gorenshteyn) | 1 more credit »
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Popularity
2,514 ( 81)

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2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Doktor Snaut, kibernetik (as Yuri Yarvet)
Vladislav Dvorzhetskiy ...
Anri Berton, pilot
Nikolay Grinko ...
Nik Kelvin, otets Krisa Kelvina
...
Olga Barnet ...
Mat Krisa Kelvina (as O. Barnet)
Vitalik Kerdimun ...
Syn Anri Bertona (as V. Kerdimun)
Olga Kizilova ...
Gostya doktora Gribaryana (as O. Kizilova)
Tatyana Malykh ...
Plemyannitsa Krisa Kelvina (as T. Malykh)
Aleksandr Misharin ...
Shanakhan, predsedatel komissii Anri Bertona (as A. Misharin)
Bagrat Oganesyan ...
Professor Tarkhe (as B. Oganesyan)
Tamara Ogorodnikova ...
Anna, tetka Krisa Kelvina (as T. Ogorodnikova)
Sos Sargsyan ...
Doktor Gribaryan, fiziolog (as S. Sarkisyan)
Yulian Semyonov ...
Predsedatel nauchnoy konferentsii (as Yu. Semyonov)
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Storyline

The Solaris mission has established a base on a planet that appears to host some kind of intelligence, but the details are hazy and very secret. After the mysterious demise of one of the three scientists on the base, the main character is sent out to replace him. He finds the station run-down and the two remaining scientists cold and secretive. When he also encounters his wife who has been dead for ten years, he begins to appreciate the baffling nature of the alien intelligence. Written by Dan Ellis

Plot Summary | Plot Synopsis

Genres:

Drama | Mystery | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

26 September 1972 (Czechoslovakia)  »

Also Known As:

Solaris  »

Filming Locations:

 »

Box Office

Budget:

RUR 1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unapproved cut)

Sound Mix:

Color:

(Eastman Double-X Negative Film)| (Eastman Color)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

In the Library during and immediately after Dr. Snaut's birthday party, the heights of the candles and the center post of the candelabra change between shots. See more »

Quotes

Kris Kelvin: To ask is always the desire to know. Yet the preservation of simple human truths requires mystery. The mysteries of happiness, death, and love. To think about it is to know one's day of death.
Dr. Snaut: Maybe you're right, but try not to think about all that now.
Kris Kelvin: Not knowing that day makes us practically immortal.
See more »

Connections

Referenced in Free Enterprise (1998) See more »

Soundtracks

The Well-Tempered Clavier, Book II: Prelude and Fugue in F minor - BWV 881
Composed by Johann Sebastian Bach (as I. S. Bakh)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
had to watch it twice
19 January 1999 | by (california) – See all my reviews

I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.


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