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Solaris (1972)
"Solyaris" (original title)

8.1
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Ratings: 8.1/10 from 40,696 users   Metascore: 90/100
Reviews: 219 user | 128 critic | 8 from Metacritic.com

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

Director:

(as Andrey Tarkovskiy)

Writers:

(novel), (screenplay), 1 more credit »
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Title: Solaris (1972)

Solaris (1972) on IMDb 8.1/10

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Cast

Cast overview, first billed only:
Natalya Bondarchuk ...
Donatas Banionis ...
Jüri Järvet ...
Doktor Snaut, kibernetik (as Yuri Yarvet)
Vladislav Dvorzhetskiy ...
Anri Berton, pilot
Nikolay Grinko ...
Nik Kelvin, otets Krisa Kelvina
Anatoliy Solonitsyn ...
Olga Barnet ...
Mat Krisa Kelvina (as O. Barnet)
Vitalik Kerdimun ...
Syn Anri Bertona (as V. Kerdimun)
Olga Kizilova ...
Gostya doktora Gribaryana (as O. Kizilova)
Tatyana Malykh ...
Plemyannitsa Krisa Kelvina (as T. Malykh)
Aleksandr Misharin ...
Shanakhan, predsedatel komissii Anri Bertona (as A. Misharin)
Bagrat Oganesyan ...
Professor Tarkhe (as B. Oganesyan)
Tamara Ogorodnikova ...
Anna, tetka Krisa Kelvina (as T. Ogorodnikova)
Sos Sargsyan ...
Doktor Gribaryan, fiziolog (as S. Sarkisyan)
Yulian Semyonov ...
Predsedatel nauchnoy konferentsii (as Yu. Semyonov)
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Storyline

The Solaris mission has established a base on a planet that appears to host some kind of intelligence, but the details are hazy and very secret. After the mysterious demise of one of the three scientists on the base, the main character is sent out to replace him. He finds the station run-down and the two remaining scientists cold and secretive. When he also encounters his wife who has been dead for ten years, he begins to appreciate the baffling nature of the alien intelligence. Written by Dan Ellis

Plot Summary | Plot Synopsis

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

20 March 1972 (Soviet Union)  »

Also Known As:

Solaris  »

Filming Locations:

 »

Box Office

Budget:

RUR 1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unapproved cut)

Sound Mix:

Color:

(Eastman Double-X Negative Film)| (Eastman Color)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Two character's names vary a great deal in the different versions of this story. The female character is known as "Rhea" in the novel, "Hari/Khari" in the subtitles and Russian dialogue, "Carrie" in the English dubbing, and "Rheya" in Steven Soderbergh's remake. The Doctor is known as "Snow" in the English translation of the novel and Soderbergh version, "Snaut" in the subtitles and Russian dialogue, and "Stroud/Strowd" in the English dub. See more »

Goofs

When Kris is standing in the rain near the beginning of the film the camera tilts down to the table to show a coffee cup and various other items. The cut to the next shot of Kris shows him to have moved (which seems reasonable as a small amount of time has elapsed) but all the items on the table are now in a different configuration. See more »

Quotes

Dr. Snaut: We don't want to conquer space at all. We want to expand Earth endlessly. We don't want other worlds; we want a mirror. We seek contact and will never achieve it. We are in the foolish position of a man striving for a goal he fears and doesn't want. Man needs man!
See more »

Connections

Referenced in Sphere (1998) See more »

Soundtracks

Fa-minornaya khoralnaya prelyudiya
Composed by Johann Sebastian Bach (as I. S. Bakh)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
the dream language
28 January 2003 | by (oslo, norway) – See all my reviews

I don't know any other film which moves me like this film does. The first pictures when Chris moves in and out of the picture, and the water flowing, has the mark of a genius work. And when he wants to taker her dress off, and he has to cut it with scissors, or when he makes her go into the space ship, I don't know any other film which can show the language of our dreams like this film, and the language of mourning. A masterpiece from the master.


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