| Photos (See all 15 | slideshow) |
Directed by | |||
| Joseph L. Mankiewicz | |||
Writing credits | ||
| Anthony Shaffer | (play) | |
| Anthony Shaffer | (screenplay) | |
Produced by | |||
| Morton Gottlieb | .... | producer | |
| David Middlemas | .... | associate producer | |
| Edgar J. Scherick | .... | executive producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Richard Marden | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Peter Lamont | |||
Set Decoration by | |||
| John Jarvis | |||
Costume Design by | |||
| John Furniss | |||
Makeup Department | |||
| Tom Smith | .... | makeup artist | |
| Joan White | .... | hair stylist | |
Production Management | |||
| Frank Ernst | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kip Gowans | .... | assistant director | |
Sound Department | |||
| Ken Barker | .... | sound recordist | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Don Sharpe | .... | sound editor | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Les Hillman | .... | special effects (as Leslie Hillman) | |
Camera and Electrical Department | |||
| Jimmy Turrell | .... | camera operator | |
| David Pearce | .... | film unit (uncredited) | |
Editorial Department | |||
| Mary Kessel | .... | assistant editor | |
Music Department | |||
| John Addison | .... | conductor | |
| John Addison | .... | music arranger | |
| Gary Hughes | .... | music arranger: songs (uncredited) | |
Other crew | |||
| Elaine Schreyeck | .... | continuity | |
| Allan B. Schwartz | .... | production executive | |
| Recent Posts (updated daily) | User |
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| What's with the dolls? | partee875 |
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| Inspector Doppler *Spoiler* | unstrung-harp |
| Rebecky | elena-28 |
| boring | kittu |
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| Sleuth | Fracture | Before the Devil Knows You're Dead | So Sweet, So Dead | Dial M for Murder |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Mystery section |
| IMDb USA section |
My parents saw "Sleuth" on Broadway, during its original run, just a year or so before this film was released. Watching the movie I can see how it would make a good play, but by the same token, it is not a translation that feels slow, or wordy, or unsuited to the screen. The adaptation is excellent, without "opening up" the play too much. If you're a fan of mysteries, you'll be intrigued by the performances and the script. Joseph Mankiewicz's direction isn't terribly flashy, but subtle and well-done.
Laurence Olivier stars as Andrew Wyke, a famous mystery novel writer. Milo Tindle (Michael Cane), comes to visit him one weekend; asking for Andrew's wife's hand in marriage. But things aren't as simple as they first appear. Andrew wants something in return from Milo. And then again, maybe he doesn't.
The film unfolds slowly and patiently; you almost feel like the film's sentient and realizes how juicy its secrets are, holding on to them for as long as possible. There are numerous twists and surprises in the film; and even if you see one or two coming (as I did), don't expect to get it all right until it's over. It's best not to know at all what is going to happen, so I'll leave you with no more clues.
I enjoyed nearly every moment after the initial meeting between Milo and Andrew. Once Cane and Olivier really get going in their scenes, the film never looks back. They are exceptional in their performances, and deservedly earned nominations for Best Actor Oscars.
So who wins? Does anyone win? Is it a game with a winner at all? Oh just go rent it already!