Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by
John Vogel <firstname.lastname@example.org>
The line "you're just a jumped-up pantry boy who doesn't know his place" is repeated almost verbatim in the song "This Charming Man" by The Smiths, 1982. Lyricist and singer Morrissey has always been fascinated by English pop culture and class issues, and several working-class English actors of the 1960s (including Terence Stamp, Rita Tushingham and Diana Dors) appear in the role of "cover star" on The Smiths' albums. See more »
When Milo and Andrew have blown the safe and are organizing the fake robbery, the shadows of crew members are visible behind the translucent windows. See more »
The beginning and the end of the movie take place on a stage:a mortal feud between two characters,played by two splendid actors ,directed by one of the giant of American cinema.It's hard to speak of the screenplay without spoiling the suspense,the action-packed story,the surprises waiting for you every step of the way.The two belligerents are diametrically opposite:Sir Olivier plays a local squire,full of disdain and smugness,he's wealthy and claims a noble pedigree.Michael Caine is what the French call "nouveau riche",the most despicable breed of man to his proud opponent :worse,he 's still working,as a posh hair-dresser at that!Both are oozing hatred ,and behind the automatons,we feel the tempers rise .Height of contempt,Olivier disguises Caine as a clown!Anthony Shaffer's tour de force is rendered with gusto and virtuosity.It' s a pity that it was to remain Mankiewicz's last work.
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