Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by
John Vogel <email@example.com>
In Andrew Wyke's cellar, a life preserver from the R.M.S. Mauretania is seen hanging from a wooden post. Built in 1906, the original R.M.S. Mauretania was a luxury ocean liner owned by the Cunard line. She was a sister ship of the R.M.S. Lusitania. For thirty years, the Mauretania carried upper-class passengers between London and New York. When she was scrapped in 1935, the Mauretania's first class reading-writing room was moved to Pinewood Studios in London (where the cellar scenes were filmed), and became the studio's board room. See more »
When Milo throws Andrew's manuscript into the air, the Edgar Allan Poe award statuette is on the mantel; the trophy then disappears in the next shot of Andrew, only to reemerge a few moments later. See more »
Property's always been more highly regarded in this country than people.
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My parents saw "Sleuth" on Broadway, during its original run, just a year or so before this film was released. Watching the movie I can see how it would make a good play, but by the same token, it is not a translation that feels slow, or wordy, or unsuited to the screen. The adaptation is excellent, without "opening up" the play too much. If you're a fan of mysteries, you'll be intrigued by the performances and the script. Joseph Mankiewicz's direction isn't terribly flashy, but subtle and well-done.
Laurence Olivier stars as Andrew Wyke, a famous mystery novel writer. Milo Tindle (Michael Cane), comes to visit him one weekend; asking for Andrew's wife's hand in marriage. But things aren't as simple as they first appear. Andrew wants something in return from Milo. And then again, maybe he doesn't.
The film unfolds slowly and patiently; you almost feel like the film's sentient and realizes how juicy its secrets are, holding on to them for as long as possible. There are numerous twists and surprises in the film; and even if you see one or two coming (as I did), don't expect to get it all right until it's over. It's best not to know at all what is going to happen, so I'll leave you with no more clues.
I enjoyed nearly every moment after the initial meeting between Milo and Andrew. Once Cane and Olivier really get going in their scenes, the film never looks back. They are exceptional in their performances, and deservedly earned nominations for Best Actor Oscars.
So who wins? Does anyone win? Is it a game with a winner at all? Oh just go rent it already!
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