A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by
John Vogel <firstname.lastname@example.org>
Michael Caine was so very much beside himself to be working with Laurence Olivier, that he didn't even know how to address him. Eventually, he broke down and just asked. Olivier replied, "Well I am the Lord Olivier and you are Mr. Michael Caine. Of course that's only for the first time you address me. After that I am Larry and you are Mike." See more »
When Inspector Doppler is interviewing Andrew on Sunday Morning, Andrew's paper is folded and put over the arm of his chair twice. See more »
Brilliant film about two men (Oscar nominees Laurence Olivier and Michael Caine) who meet at Olivier's house and go over an elaborate scheme to keep Olivier's fortune when his wife (about to divorce him to be with Caine) leaves him by staging a robbery performed by Caine. The strangeness does not stop there though as the two men each have personal motives and the twists and turns become dizzying as the movie progresses. Laurence Olivier is truly magnificent here, as he almost always was. Michael Caine, only 39 at the time, holds his own and that is far from an easy thing to do in a production like this. Joseph L. Mankiewicz's brilliant direction makes a film that could have been very dull into a stunning cinematic experience that stands tall against other films from the 1970s and all other decades for that matter. 5 stars out of 5.
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