A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by
John Vogel <email@example.com>
When Wyke "shoots" Tindle in the head at contact range with what is supposed to be a blank cartridge, Tindle simply faints from fright. In fact, the hot gases, explosive particles, wadding and minuscule barrel debris from a blank-cartridge shot to the head at point-blank range would certainly have given Tindle quite a serious wound, possibly even a fatal one. See more »
To me, "Sleuth" is a demonstration of the problem with the Oscars (certainly a problem in 1972, and perhaps now also). The problem was that, even before the casting was done for the film of Mario Puzo's "The Godfather," everyone knew that whoever played the leading role was going to receive the Best Actor Oscar, irrespective of the performance. To rate Brando's performance above the performances of Caine and Olivier that year is nothing short of ludicrous. All I can say is thank God that at least Joel Grey received the best support Oscar for "Cabaret" that year.
I first saw Anthony Schaffer's play on the London stage about two years prior to the release of the movie. The leading roles were taken by Paul Rogers and Donal Donnelly, two fine English actors who were superb in these parts. I remember thinking what a difficult thing it would be to make a film of this, but I was sure that someone would try it and make a mess of it. How wrong I was!
I note that "Sleuth" comes up as #250 in the IMDB top 250. I recently selected my top 100 and it comes up at #55. This is a magnificent movie that keeps one on the edge of the seat for its entire length. The performances of the two leads as they play the same game a number of times is stunning. Here is the man acknowledged as perhaps the greatest actor of the 20th century, and here is the Cockney up-start Caine (famous for his "kitchen-sink" roles such as in "Alfie") matching him at every turn and often soaring above him.
But in saying all this, I need to put in a plug for perhaps the finest supporting performances ever delivered. Alec Cawthorne, a man few have heard of outside "Sleuth," is mesmerising as Doppler, while John Matthews and Eve Channing, although having very minor parts, imbue every nuance of their performances with ethereal splendour.
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