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Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by
John Vogel <email@example.com>
In Andrew Wyke's cellar, a life preserver from the R.M.S. Mauretania is seen hanging from a wooden post. Built in 1906, the original R.M.S. Mauretania was a luxury ocean liner owned by the Cunard line. She was a sister ship of the R.M.S. Lusitania. For thirty years, the Mauretania carried upper-class passengers between London and New York. When she was scrapped in 1935, the Mauretania's first class reading-writing room was moved to Pinewood Studios in London (where the cellar scenes were filmed), and became the studio's board room. See more »
After Inspector Doppler rings the door bell the first time, and Andrew checks the door, the cameraman's shadow is visible on the wall before he passes the window. See more »
Classic mystery with dynamite performances by Laurence Olivier and Michael Caine
A very entertaining "thriller" about a wealthy mystery novelist named Andrew Wyke (Olivier), who invites Milo Tindle (Caine) - working-class owner of a chain of hair salons - to his sixteenth-century mansion to discuss Milo's affair with Wyke's wife. Instead of being angry, he seems to be delighted and proposes an ingenious robbery scheme that will benefit both men. Soon, the two men find themselves locked in an ingenious and devious duel, but who gets the last laugh on whom?
With the right ingredients film-making can seem so easy. The cast consists of just two actors, Laurence Olivier and Michael Caine, but with these heavyweights, it's hard to go wrong. Playwright Anthony Shaffer (FRENZY, THE WICKER MAN) wrote a brilliantly ingenious script with crackling dialog, and veteran director Joseph L. Mankiewicz (A LETTER TO THREE WIVES, ALL ABOUT EVE), who knows all the cinematic tricks and has an uncanny aye for detail, manages to avoid this "play" from becoming static in any way. It was to be his last film, and what a grand way to say goodbye to cinema. A real treat from start to finish. Highly recommended!
Camera Obscura --- 10/10
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