A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the ... See full summary »
Sisters Carrie and Anna Berniers have been supporting their ne'er-do-well brother Julian through various failed businesses; now, he returns home with a sudden fortune and his young bride. ... See full summary »
George Roy Hill
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
When Andy and Elizabeth buy a farm in Vermont, they can't imagine the trouble that awaits them. Andy has quit his job as a sports journalist and is planning to use the peace and quiet of ... See full summary »
George Roy Hill
Madolyn Smith Osborne,
Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as assistant chaplain for his squad. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teenaged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on the... Written by
In an early scene when Billy's mother is visiting him in the hospital, she is talking about Billy's Dresden experience to Elliot Rosewater - the title character from Kurt Vonnegut's 1965 novel, "God Bless You Mr. Rosewater", and a character who was later portrayed by Ken Hudson Campbell in 'Breakfast of Champions (1999)'. See more »
In the scenes of Tralfamadore, the planet Jupiter (easily recognizable by its giant red spot, which is a massive permanent storm) is visible in the background, but it never rotates. See more »
[in his sleep]
You guys go on without me. I'll be alright.
All he does in his sleep is quit, surrender, and apologize. I could carve a better man out of a banana.
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Concerto No. 5 for Harpsichord in F minor, BWV 1056 - 2nd movement 'Largo'
Written by Johann Sebastian Bach (as J.S. Bach) Glenn Gould, Piano
Columbia Symphony Orchestra
Vladimir Goldschmann, Conductor See more »
Kurt Vonnegut was more than worthy of the National Book Award that he received for the novel Slaughterhouse Five, but his humor and literary expertise are often lost in screenplays.
This flawed movie was a cult classic since its release because legions of Vonnegut fans were so fond of the novel that they could overlook the film's flaws. This is probably the only Vonnegut novel to make the transition to the screen as a movie that more than a handful of people are willing to watch. And they watch it again and again. I am reminded of Voltaire lovers who enjoy Leonard Bernstein's Candide. This seems to be the best of all possible Vonnegut movies.
There is a wealth of trivia associated with the cast. Michael Sacks disappeared into obscurity. Sharon Gans joined a community theater company that seemed more like a cult. Holly Near became a feminist folksinger. Valerie Perrine would later give a great performance as Honey Bruce in Bob Fosse's Lenny. Perry King and Ron Liebman became minor stars.
The story is largely allegorical. It is not science-fiction. Vonnegut is coping with the trauma of World War II, particularly the horrors he witnessed during the firebombing of Dresden. Billy Pilgrim's emotional numbness and alientation are characteristic of combat fatigue or post traumatic stress. Despite the lack of a chronological plot, Billy Pilgrim's arc is linear.
To the uninitiated, being "unstuck in time" can be confusing. It's sort of like one's first encounter with hypertext. Perhaps, that's why the movie is better on the second or third viewing. The key to enjoying Slaughterhouse Five is to focus on the best scenes and performances -- much like Billy Pilgrim's advice on living.
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