Kin-Dza-Dza is something like an "advanced cyberpunk film". It's a lot about people and social structures which on the planet of "Pluke" of course have many parallels to our society. It's a... See full summary »
"Listen: Billie Pilgrim has come unstuck in time." The opening words of the famous novel are the quickest summary of this haunting, funny film. Director Hill faithfully renders for the screen Vonnegut's obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past as a young American POW, in the future as a well-cared-for resident of a zoo on the planet Tralfamadore, and in the present as a middle-aged optometrist in Ilium, N.Y. Written by
In an early scene when Billy's mother is visiting him in the hospital, she is talking about Billy's Dresden experience to Elliot Rosewater - the title character from Kurt Vonnegut's 1965 novel, "God Bless You Mr. Rosewater", and a character who was later portrayed by Ken Hudson Campbell in 'Breakfast of Champions (1999)'. See more »
When the siren sounds, the American-turned Nazi propagandist Howard Campbell goes into the bomb shelter with the rest of the American POWs. But after the bombing is over and the men come out of the shelter, he is nowhere to be seen. See more »
You see in Tralfamador, where I presently dwell, life has no beginning, no middle, and no end. For example, many years ago a certain man promised to have me killed. He's an old man now, living not far from here. He's read all of the publicity associated with my appearance. He's insane. And tonight he'll keep his promise.
[murmurs throughout the crowd]
If you protest, if you think that death is a terrible thing, then you've not understood what I have said.
[...] See more »
Concerto No. 5 for Harpsichord in F minor, BWV 1056 - 2nd movement 'Largo'
Written by Johann Sebastian Bach (as J.S. Bach) Glenn Gould, Piano
Columbia Symphony Orchestra
Vladimir Goldschmann, Conductor See more »
Kurt Vonnegut was more than worthy of the National Book Award that he received for the novel Slaughterhouse Five, but his humor and literary expertise are often lost in screenplays.
This flawed movie was a cult classic since its release because legions of Vonnegut fans were so fond of the novel that they could overlook the film's flaws. This is probably the only Vonnegut novel to make the transition to the screen as a movie that more than a handful of people are willing to watch. And they watch it again and again. I am reminded of Voltaire lovers who enjoy Leonard Bernstein's Candide. This seems to be the best of all possible Vonnegut movies.
There is a wealth of trivia associated with the cast. Michael Sacks disappeared into obscurity. Sharon Gans joined a community theater company that seemed more like a cult. Holly Near became a feminist folksinger. Valerie Perrine would later give a great performance as Honey Bruce in Bob Fosse's Lenny. Perry King and Ron Liebman became minor stars.
The story is largely allegorical. It is not science-fiction. Vonnegut is coping with the trauma of World War II, particularly the horrors he witnessed during the firebombing of Dresden. Billy Pilgrim's emotional numbness and alientation are characteristic of combat fatigue or post traumatic stress. Despite the lack of a chronological plot, Billy Pilgrim's arc is linear.
To the uninitiated, being "unstuck in time" can be confusing. It's sort of like one's first encounter with hypertext. Perhaps, that's why the movie is better on the second or third viewing. The key to enjoying Slaughterhouse Five is to focus on the best scenes and performances -- much like Billy Pilgrim's advice on living.
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