Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, ... See full summary »
It seems that masked men are knocking over the floating crap games of Chalky and Pete. Chalky and Pete hire the cool, loose, elegant Mr. T to fix things. Then, the masked manipulators set ... See full summary »
To take a briefcase from Hong Kong to Mexico City, via Los Angeles, is it necessary to call on that man - Bolt? With the number of dangerous spies and gangsters who are after that briefcase, maybe Jefferson Bolt is not enough.
David Lowell Rich
When fellow operatives (and childhood friends) Matthew Johnson and Melvin Johnson disappear during an undercover mission in Hong Kong, Cleopatra Jones (Tamara Dobson) travels there to find ... See full summary »
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
At the very beginning of the film, Slaughter's father is seen sitting in his car, turns the key, and it explodes. The entire car is engulfed in flames, which shoot 20 feet into the air; the camera lingers on the inferno. The very next scene, we see Slaughter sitting in the ER. The doctor comes out of surgery and tells him that his father didn't make it. I'll say...the man was cremated. See more »
I'm all for 1970s low-budget exploitation films but Slaughter failed to satisfy. The plot, if there is one, is confused, as if the first reel was missing. After Billy Preston's lame theme song you are dropped into the middle of a confusing story about the mafia, or maybe Mexican mobsters, who kill star Brown's parents in the first 10 seconds. Why? I still don't know. Something about a computer. From there the tale meanders with little action and some really bad acting. That can be forgiven if the film is at least a little fun but there's not much of that either.Brown's 'Hell Up in Harlem" is a lot more fun and makes a lot more sense.
1 of 5 people found this review helpful.
Was this review helpful to you?