| Senta Berger | ... | Hester Prynne | |
| Hans Christian Blech | ... | Roger Chillingworth | |
| Lou Castel | ... | Rev. Dimmesdale | |
| Yelena Samarina | ... | Mistress Hibbins, the daughter of Gov. Bellingham | |
| Yella Rottländer | ... | Pearl | |
| William Layton | ... | Gov. Bellingham | |
| Alfredo Mayo | ... | Gov. Fuller | |
| Ángel Álvarez | ... | Rev. Wilson | |
| Laura Currie | ... | Sarah | |
| Tito García | ... | Church Attendant | |
| Lorenzo Robledo | ... | Captain | |
| Rafael Albaicín | ... | Indian | |
| José Villasante | ... | Shop Owner | |
| Rüdiger Vogler | ... | The Sailor | |
| José Vivó | |||
| Julián del Monte | |||
| rest of cast listed alphabetically: | |||
| Antonio Cintado | |||
| Eduardo Fajardo | |||
| Antonio Orengo | |||
Directed by | |||
| Wim Wenders | |||
Writing credits(in alphabetical order) | ||
| Tankred Dorst | scenario Der Herr klagt über sein Volk in der Wildnis Amerika | |
| Ursula Ehler | scenario Der Herr klagt über sein Volk in der Wildnis Amerika | |
| Bernardo Fernández | writer | |
| Nathaniel Hawthorne | novel "The Scarlet Letter" | |
| Wim Wenders | writer | |
Produced by | |||
| Volker Canaris | .... | producer | |
| Peter Schamoni | .... | line producer | |
| Joachim von Mengershausen | .... | producer | |
Original Music by | |||
| Jürgen Knieper | |||
Cinematography by | |||
| Robby Müller | |||
Film Editing by | |||
| Peter Przygodda | |||
Production Design by | |||
| Adolfo Cofiño | |||
| Manfred Luetz | |||
Costume Design by | |||
| Carmen Marín | |||
Makeup Department | |||
| Ingrid Thier | .... | hair stylist | |
| Ingrid Thier | .... | makeup artist | |
Production Management | |||
| Peter Genée | .... | production manager | |
| Primitivo Álvaro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bernardo Fernández | .... | assistant director | |
Sound Department | |||
| Christian Schubert | .... | sound | |
Camera and Electrical Department | |||
| Martin Schäfer | .... | assistant camera | |
| Martin Schäfer | .... | still photographer | |
| Heide M. Weis | .... | still photographer | |
Editorial Department | |||
| Barbara von Weitershausen | .... | assistant editor | |
Music Department | |||
| Luis de Pablo | .... | composer: additional music | |
Other crew | |||
| Astrid Graue | .... | continuity | |
| Pablo Martínez | .... | production assistant | |
| Thomas Schamoni | .... | technique | |
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| The Scarlet Letter | The Scarlet Letter | The Crucible | The Scarlet Letter | The Painted Veil |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb West Germany section |
I stumbled upon this one in a little video store in a small southern town. Wim Wenders' "The Scarlet Letter?" In German? With the barren Portuguese coast subbing for New England? So I watched it and in the end can only say that it's worth a look. It's far from a great film, but it has some occasional great moments and it isn't bad. It's more of a strange little curio, though, than an important part of the great director's repertoire.
One thing that bothered me about the film was the loud, obtrusive musical score. Thinking back on what I like about GOOD Wenders films of the 70s like "The Goalie's Anxiety at the Penalty Kick" and "Alice in the Cities," I remember that they both had very effective minimalist scores that heightened the impact of the images whereas in "The Scarlet Letter" the score distracts heavily. In fact there are a few things that really distract about "The Scarlet Letter" and one gets the feeling while watching it that Wenders didn't quite know how to handle the material. But it's occasionally inspired and well shot and should be seen by fans of the director's work or people who are looking for a rather unique perspective of a classic tale.