In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
Story of the night that Mary Shelley gave birth to the horror classic "Frankenstein." Disturbed drug induced games are played and ghost stories are told one rainy night at the mad Lord ... See full summary »
Beaty is a prostitute working out of a high-class London cabaret where Emory is a technician. They begin an affair encumbered by her job, his lack of money, and their pasts: Beaty has a ... See full summary »
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
An elderly artist thinks he has become too stale and is past his prime. His friend (and agent) persuades him to go to an offshore island to try once more. On the island he re-discovers his ... See full summary »
A sequence featuring Ken Russell was shot but later scrapped. He can still be seen getting off a train car in the railway station segment. See more »
My book is about sleep; that thick oily substance. Under the surface you float; half dreaming, half waking. Hidden, you hope, yet the world comes though. You cannot imagine the ways I've evolved to abolish myself there... under the surface. Half sleeping. Half waking. Leaving your worries and your clothes asleep. But the rent never sleeps and time never sleeps.
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Another Russell snapshot of a creative genius coming to terms with his social environment
Ken Russell did it with Valentino, Tchaikovsky, Mahler, and Lizst. He made British movies of these non-British geniuses, biographical at the obvious level, with satire and pathos lurking beneath the obvious layer. "Savage messiah" is once again a biopic of an eccentric French sculptor Henri Gaudier-Brzeska, though not as famous as Russell's three musical composers or the ballet dancer he made films about, yet a gifted French genius (an outsider in British society) who finds a Polish spouse 20 years his senior in real life ("ugly", he calls her in the film), intelligent, creative and sensitive as the sculptor but disinterested in sex. Russell captures the rich world of artist's agents, the rich who frequent art galleries and museums, rich society's rules that give importance of tucking in shirt-tails while appreciating art in museums, the rich copying art and passing the results off as genuine works...
Russell's film captures the brave suffragettes (in the character of Gosh Boyle, played by the stunning young Dame Helen Mirren, who even appears nude) who are not averse to sex and nudity and contrasts them with the lead character of Sophie Brzeska (a charismatic portrayal by Dame Dorothy Tutin), who never takes off her clothes and is openly averse to sex.
The director makes the viewer virtually taste the cabbage in the soup made by the poor artists as the rich agent savors the bad concoction. That is an example of Russel at his best.
The film is a love story--an unusual one. There is sexual energy that exudes in the cutting of cabbages by Dame Dorothy that seems to have been copied decades later in the vegetable chopping by Cate Blanchett in the recent film "Bandits". The death of the artist is captured by still photographs of the World War and his spouse viewing his sculptures in a public gallery.
The film is a remarkable work of two great actors--Dame Dorothy Tutin and Dame Helen Mirren--honored by the British Queen much after the film was made.
Russell and set designer Derek Jarman dishes out a movie that may not be outstanding but worthy of note to any one who appreciates the genius among artists and what they have to battle against in the quest to state the truth and tear down pretensions in society. It is a tragic tale of a genius nipped in the bud. Only his spouse, herself a loser among "geniuses", seems to realize this.
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