A psychedelic re-telling of the biblical story. Salome is the daughter of the second wife of King Herod. The King is infatuated with her and after she fails to seduce the prophet John (The ... See full summary »

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Cast

Cast overview, first billed only:
Carmelo Bene ...
Erode Antipa / Onorio
Lydia Mancinelli ...
Alfiero Vincenti ...
Donyale Luna ...
...
Myrrhina (as Veruschka)
Piero Vida ...
Franco Leo ...
Cristo-Vampiro
Giovanni Davoli ...
Luciana Cante
Marco Carelli
Dakar
Ornella Ferrari
Tom Galleés
Roberto Gnozzi
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Storyline

A psychedelic re-telling of the biblical story. Salome is the daughter of the second wife of King Herod. The King is infatuated with her and after she fails to seduce the prophet John (The Baptist) she dances for the King in order to ask for his execution. The story is told in a bizarre way of fast cuts, repetitive dialogue and extreme satire. Written by Alexander Kalaitzis

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Drama

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20 October 1972 (Italy)  »

Also Known As:

Salomé  »

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(Eastmancolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Italian censorship visa # 60831 delivered on August 11, 1972. See more »

Connections

References Yesterday, Today and Tomorrow (1963) See more »

Soundtracks

Abat-jour
Composed by Robert Stolz, Bruno Cherubini
Lyrics by Ennio Neri
Sung by Henry Wright
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User Reviews

 
A Psycadelic escape from reality and boring Hollywood films.
6 July 2005 | by (Bloomsburg PA) – See all my reviews

There have been many films of the play "Salome", but none of them are anything like Carmelo Bene's version. The film is so bright, colorful and strange; it will make your head spin. The intro of the film contains a cartoon camel jumping through a loop, women getting spanked with feather paddles, a man slicing a watermelon with a machete and a women with beaded jewelry emerging from the water. Unfortunately, the only copy I could find didn't have subtitles. I really didn't need to understand the dialog to enjoy the strange and weird images. It's as if someone filmed Fellini Satyricon on a fixed budget, cut it into pieces, rearranged it and laced it with LSD style editing. That's why it is so darn entertaining. I first learned about Italian director Carmelo Bene from the book "Film as a Subversive Art" by Amos Vogel. This book changed the way I view films. I go out of my way to find surreal films like "Salome". It is strange, experimental and quite an experience. Don't watch this film on drugs, because the film is a drug in itself. A startling head trip of a film.


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