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Roma (1972)
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Overview
User Rating:
Release Date:
15 October 1972 (USA) morePlot:
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens... more | add synopsisAwards:
Nominated for Golden Globe. Another 3 wins & 1 nomination moreUser Comments:
Yet another Fellini's masterpiece more (37 total)Cast
(Complete credited cast) | Peter Gonzales Falcon | ... | Fellini, Age 18 (as Peter Gonzales) |
| Fiona Florence | ... | Dolores - Young Prostitute |
| Britta Barnes | ||
| Pia De Doses | ... | Princess Domitilla |
| Marne Maitland | ... | Guide in the Catacombs |
| Renato Giovannoli | ... | Cardinal Ottaviani |
| Elisa Mainardi | ... | Pharmacist's wife / Cinema spectator |
| Raout Paule | ... | (unconfirmed) |
| Galliano Sbarra | ... | Music Hall Compere |
| Paola Natale | ||
| Ginette Marcelle Bron | (as Marcelle-Ginette Bron) | |
| Mario Del Vago | ||
| Alfredo Adami | ||
| Stefano Mayore | ... | Fellini as a Child |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
128 min | Argentina:126 min | Spain:116 minColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
MonoCertification:
Italy:VM14 | Portugal:M/12 | New Zealand:R18 | Argentina:13 | Australia:M | Canada:18A | Finland:K-16 | Singapore:NC-16 | Sweden:15 | USA:R | West Germany:16 | Ireland:15 | UK:15Fun Stuff
Goofs:
Anachronisms: Peter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film. moreFAQ
This FAQ is empty. Add the first question.more (37 total)
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Everything is revolving around Rome in this movie, its beauty, its decadence, its history, its inhabitants, seen with the eyes of our magnificent Maestro: Fellini. The scene of the war-period theatre is one of the funniest of the whole history of cinema and no subtitle can render it in a proper way, you should live in Rome for years to fully appreciate the dialogues. It's worth seeing for the countless characteristic "faces" that Fellini was used to employ for his movies, giving that special taste to his works we are still call "fellinian" nowadays.