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Roma (1972)
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Overview
User Rating:
Release Date:
15 October 1972 (USA) morePlot:
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens... more | add synopsisAwards:
Nominated for Golden Globe. Another 3 wins & 1 nomination moreUser Comments:
A non-traditional film which exceeds all expectations. moreCast
(Complete credited cast)| Peter Gonzales Falcon | ... | Fellini, Age 18 (as Peter Gonzales) | |
| Fiona Florence | ... | Young Prostitute | |
| Britta Barnes | |||
| Pia De Doses | ... | Princess Domitilla | |
| Marne Maitland | ... | Underground Guide | |
| Renato Giovannoli | ... | Cardinal Ottaviani | |
| Elisa Mainardi | ... | Pharmacist's wife / Cinema spectator | |
| Raout Paule | |||
| Galliano Sbarra | ... | Music Hall Compere | |
| Paola Natale | |||
| Ginette Marcelle Bron | (as Bron Marcelle Ginette) | ||
| Mario Del Vago | |||
| Alfredo Adami | |||
| Stefano Mayore | ... | Fellini as a Child |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
128 min | Argentina:126 minColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
MonoCertification:
Italy:VM14 | Portugal:M/12 | New Zealand:R18 | Argentina:13 | Australia:M | Canada:18A | Finland:K-16 | Singapore:NC-16 | Sweden:15 | USA:R | West Germany:16 | Ireland:15 | UK:15Fun Stuff
Goofs:
Anachronisms: Peter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film. moreFAQ
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ROMA is not the kind of film you may want to watch if you are in the mood for a made for TV movie, but perfect if you want to get away from one. The ultimate cinematic escape, it is a collection of interesting and arresting scenes and images from Rome throughout history. It does not concentrate on history per say, but excerpts Italian society and it's lifestyles from the conformity of Mussolini's time to the hippy-dippy days - in a non-narrative, non-documentary way. Some things change, others stay the same. Don't expect to find much of a plot, but rather moments of great amusement with character and sometimes very involving images. ROMA doesn't insult it's viewers with it's unconventional liberties, and that alone makes it a worthwhile trip to take - even if only once.