A fluid, unconnected and sometimes chaotic procession of scenes detailing the various people and events of life in Italy's capital.

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Writers:

(story), (story) | 2 more credits »
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Nominated for 1 Golden Globe. Another 4 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
Peter Gonzales Falcon ...
Fellini, Age 18 (as Peter Gonzales)
Fiona Florence ...
Dolores - Young Prostitute
Britta Barnes
Pia De Doses ...
Princess Domitilla
...
Guide in the Catacombs
Renato Giovannoli ...
Cardinal Ottaviani
...
Pharmacist's wife / Cinema spectator
Stefano Mayore ...
Fellini as a Child
Galliano Sbarra ...
Music Hall Compere
...
Anna Magnani
Ginette Marcelle Bron ...
(as Marcelle-Ginette Bron)
...
Gore Vidal
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Storyline

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show) Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

The fall of the Roman Empire 1931-1972. See more »

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | | |

Release Date:

15 October 1972 (USA)  »

Also Known As:

Fellini's Roma  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Halfway through the film, in the outdoor scene where the older man is complaining about the degradation of Roman culture, you can see Fellini playing himself, surrounded by Italian college students and film crew members. See more »

Goofs

Peter Gonzales Falcon's hairstyles are all in the longish 1972 mode, even though the portions of the film in which he appears are supposed to be taking place thirty or more years earlier, at which time men's hair was cut much, much shorter, and would never be worn as it appears in this film. See more »

Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005) See more »

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User Reviews

 
Whether you like or not, a masterpiece
29 March 2000 | by See all my reviews

You may or not like Fellini's extravagance ... and there's plenty to be had in "Roma". You may dislike the movie going back and forth in time, and around a period in history which you can't even relate to; you may dislike the lack of plot, the series of episodes from the director's past or fantasies. You may not share his vision of Rome, its women, its chaos, its fascist monuments and its hippies. You may not even be at all interested in Fellini's world and may find his movies, boring, or uninteresting. This one will be no exception, then. Well... After all, we did not all like Citizen Kane either.

For one thing is beyond doubt: Fellini's Roma is a true, genuine, masterpiece, one of the last gems coming out of the relentless, colourful imagination of an Italian director, who from La Strada to Amarcord, in some 15 years of movie-making, was able to concoct classic movies and nothing but. Fellini's Roma is a series of exaggerations (the characters, chaos, the brothels, the nights in Rome...) as Rome can be. It is an absolute tribute to a city one thousand times destroyed, one thousand times reborn, to the "city of illusions" as Gore Vidal puts is. It is above all a tribute to the Romans, who basically "could not care less whether you are alive or dead". And who better to capture this than Federico Fellini?


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