Fellini's Roma
(1972)
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Fellini's Roma
(1972)
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Peter Gonzales Falcon | ... |
Fellini, Age 18
(as Peter Gonzales)
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Fiona Florence | ... |
Dolores - Young Prostitute
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Britta Barnes |
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Pia De Doses | ... |
Princess Domitilla
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Marne Maitland | ... |
Guide in the Catacombs
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Renato Giovannoli | ... |
Cardinal Ottaviani
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Elisa Mainardi | ... |
Pharmacist's wife /
Cinema spectator
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Raout Paule | ... |
(unconfirmed)
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Galliano Sbarra | ... |
Music Hall Compere
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Paola Natale |
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Ginette Marcelle Bron | ... |
(as Marcelle-Ginette Bron)
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Mario Del Vago |
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Alfredo Adami |
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Stefano Mayore | ... |
Fellini as a Child
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A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show) Written by Michael Brooke <michael@everyman.demon.co.uk>
Some people would complain that this movie has no plot, but does life have a plot? No, of course not! And so this movies goes, from scene to scene, through memories, collages, documentary footage, hallucinations, with only one continuous character but hundreds of faces, bits of conversation, music, all flowing around just like life when you are very drunk and everything in life makes sense, no matter how absurd.
This movie contains some stunning scenes: the "ecclesiastical fashion show"; the Roman traffic jam in the rain; the deli-style whorehouse; the family style meal; the discovery and destruction of Roman ruins during the construction of the subway system. You can walk in at any moment on this movie and it doesn't matter, you don't have to follow it to enjoy it. Perhaps this is true of all Fellini movies, I'm not sure -- certainly it's true of another favorite of mine, Satyricon.