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So Sweet, So Dead (1972)
"Rivelazioni di un maniaco sessuale al capo della squadra mobile" (original title)

 -  Crime | Drama | Horror  -  July 1975 (USA)
6.0
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Ratings: 6.0/10 from 292 users  
Reviews: 13 user | 16 critic

A serial killer is on the loose. His victims are unfaithful wives and he always leaves compromising photographs at the crime scene.

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(screenplay), (story), 3 more credits »
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Cast

Cast overview, first billed only:
...
Inspector Capuana
...
Barbara Capuana
Silvano Tranquilli ...
Paolo Santangeli
Annabella Incontrera ...
Franca Santangeli
Chris Avram ...
Professor Casali
Femi Benussi ...
Serena
Krista Nell ...
Renata
Angela Covello ...
Bettina Santangeli
Fabrizio Moresco ...
Piero
Andrea Scotti
Irene Pollmer ...
Giannina
Luciano Rossi ...
Gastone
Ivano Staccioli ...
The Liar
Nino Foti
...
Rossella
Edit

Storyline

Inspector Capuana investigates serial murders where the victims of unfaithful wives were get killed as they were having sex with their husbands. A naked woman is found murdered and mutilated in a prosperous small province town in Southern Italy. But who is murdering her? After a while, the killer who wears black fedora, gloves, and trench coat starts photographing unfaithful wives as they start having sex with their lovers and also killing them. Written by c9rm9n

Plot Summary | Plot Synopsis

Taglines:

Only beautiful women... only if they are evil... and when they are caught in the act... he commits the ULTIMATE BRUTALITY! See more »


Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

July 1975 (USA)  »

Also Known As:

Bad Girls  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

A re-edited version released in the U.S. was called "Penetration", and featured hardcore porno footage with adult-film stars Harry Reems and Tina Russell. It was advertised as a porno featuring actor Farley Granger, who was in the original film but had nothing to do with the re-edited version. Granger threatened the distributors with a major lawsuit for the unauthorized use of his name in the new version, and they subsequently withdrew the film from US distribution, but not from Europe. See more »

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User Reviews

 
Derivative, but nasty enough to compensate
20 September 2006 | by (Beverley Hills, England) – See all my reviews

Released at the height of the Giallo's popularity, So Sweet, So Dead manages to take in most of the common Giallo trademarks and craft a good example of the sub-genre out of it; although it has to be said that the Giallo has been done to far better effect on numerous occasions. It would seem that director Roberto Bianchi Montero was hoping he could implement a style similar to what Dario Argento is famous for, and indeed he has somewhat as the film features a black gloved killer committing some well worked, bloody and stylish murders, although the film unfortunately seems content to revel in it's sleazy atmosphere too much and this can sometimes have a negative effect on the plot. The storyline centres on a vicious killer who enjoys slashing women who are currently engaging in an extra marital affair. Naturally, Inspector Capuana expects the murderer to be among the city's underbelly; but as the murders continue, he starts to get the idea that he may have to look to higher society; and things get worse for him when the killer sets his wife as the next target!

There's a fair amount of sex on display, although it's never overly erotic, and since the film doesn't put too much focus on red herrings and the identity of the murderer, it's sometimes unclear as to exactly what the point of the film is. It's quite possible that So Sweet, So Dead was only ever meant to be a cash-in on other, more successful Giallo's, although the attention to detail with regards tributes to other genre films makes it seem that the director has a genuine interest in this style of film-making. Indeed, the film is rather incomprehensible at times; but even when the plot does start to become tiresome, it's good to know that there's an undercurrent of sleaze to fall back on, and while this isn't exactly up there with heavyweight nasty Giallo's the likes of Giallo a Venezia and The New York Ripper, it's more nasty than a lot of it's counterparts. The film benefits from a good cast, which includes experienced Giallo actor Farley Granger and a small role for the popular Susan Scott. Overall, I can't say this is a heavyweight of the genre; but it's certainly worth seeing for the Giallo fan, despite a number of imperfections.


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