| George Martin | ... | Clint Harrison | |
| Marina Malfatti | ... | Norma Harrison | |
| Klaus Kinski | ... | Scott | |
| Daniel Martín | ... | Slim | |
| Augusto Pescarini | ... | Jimmy Harrison (as Augusto Pesarini) | |
| Francisco José Huetos | ... | Mr Scranton (as Francisco Jose Huetos) | |
| Susanna Atkinson | ... | Betty Harrison (as Billy) | |
| Willi Colombini | |||
| Luis Ponciado | ... | Brandell | |
| Gaspar 'Indio' González | ... | Sheriff Culver (as Indio Gonzales) | |
| Manuel Muñiz | ... | Telegrapher (as Pajarito) | |
| Manuel Sas | ... | Bill McKinley | |
| Ricardo Moyán | (as Ricardo Moyan) | ||
| Manuel Bronchud | ... | Ross | |
| Gustavo Re | ... | Blinky - bartender | |
| Adolfo Alises | ... | Mr Thompson | |
| Miguel Muniesa | ... | Ben | |
| Vittorio Fanfoni | ... | Murdoch brother | |
| Luigi Antonio Guerra | ... | Murdoch brother | |
| rest of cast listed alphabetically: | |||
| Luis Induni | ... | Arnold McKinley (uncredited) | |
| Mara Krupp | ... | Brothel Mother (uncredited) | |
Directed by | |||
| Alfonso Balcázar | (as George Martin) | ||
Writing credits | ||
| Alfonso Balcázar | (story) | |
| Giovanni Simonelli | (screenplay) (as G. Simonelli) and | |
| Enzo Doria | (screenplay) (as E. Passadore) | |
Produced by | |||
| Alfonso Balcázar | .... | producer (as A. Balcazar) | |
| Francisco Balcázar | .... | associate producer (as Francisco Balcazar) | |
| Enzo Doria | .... | producer (as E. Doria) | |
| Pietro Sagliocco | .... | producer (as P. Sagliocco) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Jaime Deu Casas | |||
Film Editing by | |||
| Teresa Alcocer | |||
Set Decoration by | |||
| Francisco Gutiérrez | (as Francisco Gutierraz) | ||
Makeup Department | |||
| Ascensión Hernández | .... | assistant makeup artist (as Ascension Hernandez) | |
| Carmen Menchala | .... | makeup artist (as Carmen Menchaca) | |
| Riccardo Miori | .... | assistant makeup artist | |
| Franco Schioppa | .... | makeup artist | |
Production Management | |||
| Claudio Grassetti | .... | unit manager | |
| Isidoro Prous | .... | unit manager (as Isidro Prous) | |
| Enrique Uviedo | .... | production manager | |
| Luciano Volpato | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Federico Canudas | .... | assistant director | |
| Manrico Melchiorre | .... | assistant director | |
Art Department | |||
| Gisella Longo | .... | set designer | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects (as Luciano Anzelotti) | |
| Romano Pampaloni | .... | sound technician | |
| Armando Tarzia | .... | sound technician | |
Camera and Electrical Department | |||
| Jose Adrian | .... | still photographer | |
| Bruno Cascio | .... | assistant camera | |
| Giancarlo Formichi | .... | camera operator | |
| Ricardo González | .... | camera operator (as Ricardo Gonzales) | |
| Juan Prous | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Anna Rasetti | .... | wardrobe | |
| Lolita Tutusaus | .... | wardrobe | |
Editorial Department | |||
| Francesca Fabbi | .... | assistant editor | |
| Manuel Lizancos | .... | assistant editor | |
Other crew | |||
| Herminia Arnau | .... | script girl | |
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| Now They Call Him Sacramento | Watch Out Gringo! Sabata Will Return | Clint the Stranger | Sartana Does Not Forgive | A Fistful of Dollars |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Spain section |
This is the sequel to "Clint el solitario" (1967), again with George Martin and done by director Alfonso Balcázar (who also uses the synonym "George Martin" sometimes).
It's a mediocre italo-western with a typical american family-western storyline: Clint who killed the murderer of his brother in the first movie and therefore was imprisoned escapes from there and wants to get back to his family. His wife and the 2 children had to flee from their home and live on a farm in Texas now. She accepts Clint as a helping hand on the farm just if he lays down his weapons and swears off violence. But soon unscrupulous gangsters want to force them to sell their land and farm. And a headhunter is coming for Clint. So, here it goes...
If you don't like children as important characters of a movie because it often makes them childish, stay away. The acting is second stage professional, nothing special, everything mediocre... But this is more the american style of western, mainly because of the storyline. I can't stand heroes of a Western who don't have a gun on their belly all the time (better: out of their belly). And here you have this family- and farm-crap most of the time. And the wife demanding "No Violence! - or you cannot stay!" - Phhaaa!
Of course it's a trashy italo-version of it with a cheap and dirty setting, really evil and disgusting baddies, some bloody senseless killing and some good punch-fights. And there are some cool blood-red flashbacks to the first part. AND - YOU - HAVE: KLAUS KINSKI - of course he is great, the 100% uncaring headhunter, an invidious mien, but always above everything, long blond hair, smoking cigar permanently - cool as always! In this movie his character has quite a leading role. And I bought this DVD - which was released as "Ein Einsamer kehrt zurück" in Germany - because I love Italo-Western and Klaus Kinski. So it was o.k.! The atmosphere as you could expect it from an Italo-Western is nothing special, most of what you can describe as atmosphere is done by Klaus Kinski. Everything's mediocre - except Klaus Kinski of course!
I was wondering no one commented this movie as it has Klaus Kinski in a leading role and Ennio Morricone did the music.