| Daniela Giordano | ... | Tina Brandt | |
| Brett Halsey | ... | Gianni Prada | |
| Dick Randall | ... | The Janitor | |
| Valeria Sabel | ... | Mrs. Sofia Brandt | |
| Michael Hinz | ... | Rudy | |
| Rainer Basedow | ... | Jack | |
| Brigitte Skay | ... | Mumu | |
| Calisto Calisti | ... | The Scientist | |
| Pascale Petit | ... | Esmeralda | |
| rest of cast listed alphabetically: | |||
| Marina Cavorgna | ... | The Bananas band member (uncredited) | |
| Sante Lucerlini | ... | Duccio (uncredited) | |
| Huguette Verton | ... | The Bananas band member (uncredited) | |
Directed by | |||
| Mario Bava | |||
Writing credits(in alphabetical order) | ||
| Guido Leoni | dialogue | |
| Mario Moroni | screenplay | |
| Carl Ross | screenplay | |
Produced by | |||
| Zeljko Kunkera | .... | producer | |
| Alfredo Leone | .... | producer | |
| Claudio Rainis | .... | producer | |
| Dick Randall | .... | producer | |
Original Music by | |||
| Coriolano Gori | (as Lallo Gori) | ||
Cinematography by | |||
| Antonio Rinaldi | |||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Otello Colangeli | |||
Costume Design by | |||
| Blanda | |||
Makeup Department | |||
| Massimo De Rossi | .... | makeup artist | |
| Lidia Puglia | .... | hair stylist | |
Production Management | |||
| Francesco Casati | .... | unit manager | |
| Maurizio Maravidi | .... | unit manager | |
| Virgilio Muzio | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lamberto Bava | .... | assistant director | |
| Claudio Rainis | .... | assistant director | |
Art Department | |||
| Romeo Costantini | .... | set dresser | |
| Andrea Crisanti | .... | set designer | |
Sound Department | |||
| Fausto Achilli | .... | sound mixer | |
| Raul Montesanti | .... | sound | |
| Sandro Occhetti | .... | sound mixer | |
Camera and Electrical Department | |||
| Salvatore Caruso | .... | camera operator | |
| Enrico Lucidi | .... | assistant camera | |
| Carlo Tafani | .... | assistant camera | |
Other crew | |||
| Rosalba Scavia | .... | continuity | |
| Pino Locchi | .... | voice dubbing: Brett Halsey (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Master director Mario Bava is best known for his horror films, and that's hardly surprising as films such as Blood and Black Lace and Black Sabbath certainly represent the best of his oeuvre - but he also made a few films outside of the horror genre, and Four Times That Night is surely one of the best. I can't say I'm a big fan of sex comedies, as while I enjoy seeing sex in movies; I tend to prefer it with a little more sleaze than what films like this tend to offer. However, by taking his central plot theme from the Akira Kurosawa masterpiece 'Rashomon', Bava has made a sex comedy that is interesting for the way it pans out, rather than because of the sex theme. The plot follows Gianni and Tina; a man and a woman that meet in a park. They end up going on a date together, but it ends mysteriously when Tina returns home with a ripped dress and Gianni is sporting a nasty looking scratch on his forehead. Both Tina and Gianni give their version of what happened on that night, and the story is given a third angle from Gianni's doorman.
It's clear that this film is never going to be as deep or as fascinating as Kurosawa's masterpiece, but as a slice of light entertainment; it works fine. Bava is famous for his use of lighting and technique in order to create atmosphere for his horror films, although this movie doesn't allow him to do that. That being said, Bava's fingerprints are all over the film; as the garish use of colour features prominently, and the seventies style is what helps to elevate the film above the usual level of a gentle sex themed comedy. The film benefits from the presence of Daniela Giordano; the sexy female lead whom Bava makes best use of at all opportunities. She is joined by Fulci muse Brett Halsey, as well as Dick Randall; a man more famous for his producing credits. Bava attempts to give the film some substance by way of a psychologist explaining how different people view the same events from different perspectives...but I find it hard to believe that three people could view the same event in such wildly differing ways. One slight criticism of the film is that it's not very funny...but it's fun enough, and worth seeing.