6.8/10
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23 user 6 critic

The Public Eye (1972)

Follow Me! (original title)
When a straight-laced British accountant marries a free-spirited American, he starts trying to change her. His wife doesn't keep regular hours, so he suspects an affair and hires a ... See full summary »

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(play), (screenplay)
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2 wins. See more awards »

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Cast

Complete credited cast:
...
Belinda
...
Julian Cristoforou (as Topol)
...
Charles
Margaret Rawlings ...
Mrs. Sidley
...
Miss Framer
Dudley Foster ...
Mr. Mayhew
Michael Aldridge ...
Sir Philip Crouch
...
Mr. Scrampton
Neil McCarthy ...
Parkinson
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Storyline

When a straight-laced British accountant marries a free-spirited American, he starts trying to change her. His wife doesn't keep regular hours, so he suspects an affair and hires a detective (Topol). The wife notices she is being followed, and maintaining their distance she and the detective explore London for 10 days in a game of follow-the-leader without ever exchanging a word. Written by A. Farley

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

21 July 1972 (West Germany)  »

Also Known As:

The Public Eye  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The play premiered at the Globe Theatre, London, in 1962, and starred Richard Pearson as Charles, Maggie Smith as Belinda and Kenneth Williams as Julian. See more »

Quotes

Dinner Guest: No thank you, darling. If I eat one TEENY little anchovy, I'll be coiled like a hoop all night long.
See more »

Connections

Features Romeo and Juliet (1968) See more »

Soundtracks

The Wedding March
(uncredited)
Music by Felix Mendelssohn-Bartholdy
Arranged by Andrew Fenner
Hudson Music Ltd
See more »

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User Reviews

 
Would You Like a Macaroon?
3 July 2004 | by (Tokyo, Japan) – See all my reviews

Right from the start, I wish to say that this is a wonderful film. I caught it on cable television here in Tokyo several years back. Like so many others remarked in their own circumstances, the film just "accidentally" presented itself. Willing to give it a chance, I kept it on for a few minutes. When I heard Michael Jayston's comically sarcastic comments in the opening scene, and the magical Topol "hiding" in his office, I was certainly hooked.

Hal Wallis produced, Carol Reed directed. If that weren't good enough for most film buffs, add John Barry to the list of those involved in this gem of a film. That's right, the same Barry who scored all of the great Bond films. You can hear his signature strings and brass right from the panoramic opening title sequence of London from the air.

"Everything's got to be earned."

The story is laid out as an explanation, a highlighting of the history of a couple to a private eye hired to investigate an alleged infidelity. Very cleverly done.

"Who's Aldous Huxley?"

The film touches on those precious difficulties couples face when both partners stem from different backgrounds. As an American living here in Tokyo for many years, I can deeply empathize with the situation portrayed in the film.

"I don't much care for Tuesdays."

Mia Farrow is captivating as the young American living in London. Michael Jayston is marvelous as the upright British accountant. As the "Public Eye", Topol is as addictive to the viewer as his character is to macaroons.

"He who locks his door locks his heart."

London is featured in all its bygone glory. I was impressed with the raw freshness of the street scenes. These are slightly reminiscent of the work of Richard Lester and his "mod" style of filming actual Londoners in action, such as in "The Knack" or "Help". Here, Barry's scoring of "The Public Eye" made these whimsical scenes a pure treat. Nothing less than soul moving cinematic moments are in store for you.

There is a charming, nice touch thrown in: a tip of the hat to Peter Cushing and Christopher Lee and their work in Hammer Films.

I understand it is difficult to get a copy of this film. The fact that it was shown on Japanese television at least, means that good prints exist and are out there. Luckily, I was able to record it when it was shown again in that same week.

"The Public Eye" or as it is also known, "Follow Me", is a truly marvelous film. See it.

Addendum: A little bird told me the above version, recorded from Japanese TV, is online at Google Video.


12 of 12 people found this review helpful.  Was this review helpful to you?

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