IMDb > Private Parts (1972)
Private Parts
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Private Parts (1972) More at IMDbPro »

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Private Parts -- From cult filmmaker Paul Bartel comes this story about a young woman who winds her way through her wacky aunt's hotel filled with lackluster residents and a growing list of corpses.

Overview

User Rating:
6.8/10   796 votes »
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View company contact information for Private Parts on IMDbPro.
Release Date:
September 1972 (USA) See more »
Genre:
Tagline:
A most bizarre voyage into the psycho sexual! See more »
Plot:
When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio... See more » | Full synopsis »
NewsDesk:
"Eating Raoul": A Voracious Enterprise
 (From MUBI. 13 November 2012, 7:18 AM, PST)

User Reviews:
A truly off-the-wall sex comedy See more (28 total) »

Cast

  (in credits order) (complete, awaiting verification)
Ayn Ruymen ... Cheryl Stratton
Lucille Benson ... Aunt Martha
John Ventantonio ... George
Laurie Main ... Reverend Moon

Stanley Livingston ... Jeff
Charles Woolf ... Jeff's Dad
Ann Gibbs ... Judy
Len Travis ... Mike
Dorothy Neumann ... Mrs. Quigley
Gene Simms ... First Policeman
John Lupton ... Second Policeman
Patrick Strong ... Artie
rest of cast listed alphabetically:

Paul Bartel ... Man in Park (uncredited)

Directed by
Paul Bartel 
 
Writing credits
(in alphabetical order)
Philip Kearney 
Les Rendelstein 

Produced by
Gene Corman .... producer
 
Original Music by
Hugo Friedhofer 
 
Cinematography by
Andrew Davis 
 
Film Editing by
Morton Tubor  (as Martin Tubor)
 
Production Design by
John Retsek 
 
Art Direction by
John Retsek 
 
Costume Design by
Liz Manny 
 
Production Management
Donald Heitzer .... production manager
 
Second Unit Director or Assistant Director
Arne Schmidt .... assistant director
 
Sound Department
Jeff Wexler .... sound
 
Camera and Electrical Department
Tak Fujimoto .... first assistant camera
Skip Karnas .... best boy
Melton Maxwell .... gaffer
Jim Morris .... dolly grip
Jor Van Kline .... grip
Fred Goodich .... still photographer (uncredited)
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Blood Relations" - USA (alternative title)
See more »
Runtime:
87 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Quotes:
Aunt Martha:Cheryl dear, when you're older, you'll realize that the body is a prison that traps and bends the natural spirit to its will. It makes us weak or sick or ugly, it makes us into men or women or whatever it likes, whether we like it or not.See more »
Movie Connections:
Referenced in Ban the Sadist Videos! Part 2 (2006) (V)See more »

FAQ

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1 out of 1 people found the following review useful.
A truly off-the-wall sex comedy, 13 June 2014
Author: NORDIC-2 from Barre, VT

Gay cult actor/director/writer Paul Bartel (1938-2000) began his film-making career in 1968 with a 28-minute black comedy entitled 'The Secret Cinema', a movie about a woman who discovers that her life is being secretly filmed and shown in installments at a local art house cinema (an intriguing idea more elaborately developed in Peter Weir's 1998 film, 'The Truman Show'). For his first full-length feature, 'Private Parts', Bartel naturally gravitated toward a script by Philip Kearney and Les Rendelstein that took the themes broached in 'The Secret Cinema'—voyeurism, invasion of privacy, vicarious experience—and combined them with kinky eroticism and serial homicide to come up with a truly strange movie. Ayn Ruymen plays Cheryl Stratton, a naive but inquisitive 16-year-old runaway from Ohio who rooms with her best friend, Judy (Ann Gibbs)—until Judy angrily ejects her for spying during a lovemaking session. Cheryl subsequently moves into the King Edward, a skid row L.A. hotel run by her morbidly pious Aunt Martha (Lucille Benson). Despite Martha's pretensions toward respectability, the ominously seedy King Edward harbors all kinds of weirdos and sexual deviants, e.g., Reverend Moon (Laurie Main) a gay cleric with a fetish for bodybuilders; Mrs. Quigley (Dorothy Neumann), a dotty, deaf spinster constantly searching for a girl named Alice; Artie (Patrick Strong), a hardcore alcoholic who regularly passes out in his room; George (John Vantatonio), an effeminate photographer/voyeur who photographs couples making love in the park and sells the photos as pornography. After stealing a set of master keys, Cheryl launches a private, voyeuristic investigation into the rooms and lives of her fellow tenants, all the while being spied upon by lecherous George (cf. Norman Bates in Hitchcock's 'Psycho'), who acts out his crush on Cheryl with an inflatable sex doll. The plot thickens when Cheryl stumbles upon the remains of the aforementioned Alice, a teen fashion model recently gone missing. When Cheryl's friend, Judy, and her boyfriend Mike (Len Travis) come to the hotel looking for her, they also end up dead and dismembered before the (gender) identity of the killer is revealed in a surprise ending. A tension-inducing score by Hugo Friedhofer ('Ace in the Hole') adds a spurious gravitas to the proceedings. Subversive even by the more relaxed standards of the early Seventies, 'Private Parts' offended public sensibilities; some newspapers actually refused to print the title, "Private Parts," in ads for the movie, substituting "Private Arts" or "Private Party." Likewise, the movie embarrassed M-G-M, the studio famed for such estimable classics as 'The Wizard of Oz', 'Quo Vadis', and 'Dr. Zhivago'. Though it was hemorrhaging money at the time, M-G-M sheepishly relegated Bartel's unclassifiable opus to a dummy label (Premier Pictures) and made no effort to market it. Not surprisingly, 'Private Parts' fell flat. VHS (1991) and DVD (2005).

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