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Private Parts (1972)

Young Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.

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Cast

Complete credited cast:
Ayn Ruymen ...
Cheryl Stratton
...
Aunt Martha
John Ventantonio ...
George
...
Reverend Moon
...
Jeff
Charles Woolf ...
Jeff's Dad
Ann Gibbs ...
Judy
Len Travis ...
Mike
...
Mrs. Quigley
Gene Simms ...
First Policeman
...
Second Policeman
Patrick Strong ...
Artie
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Storyline

When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed with funerals, murder is afoot, and the inexperienced and trusting Cheryl may be the next victim. She wants to be treated like a woman, and she's drawn to George, a handsome photographer who longs for human contact but sleeps with a water-inflated doll and spies on Cheryl as she bathes. Jeff, a neighborhood clerk, may be Cheryl's only ally in what she doesn't realize is a perilous residence haunted by family secrets. And, what happened to Alice, a model who used to have Cheryl's room? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A most bizarre voyage into the psycho sexual! See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

September 1972 (USA)  »

Also Known As:

Blood Relations  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Aunt Martha: At certain funerals, you can actually feel the liberation of a spirit from the prison where it's been a captive.
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Connections

Featured in Celluloid Bloodbath: More Prevues from Hell (2012) See more »

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User Reviews

 
Sex,... Lies,... and Blowup Dolls.....
29 October 2008 | by (United States) – See all my reviews

Paul Bartel's vision of perversity in a seedy L.A. hotel has more entertainment value than most of today's re-hashed, redundant, repulsive, wannabe exploitation flicks. The acting alone is uncommonly good for this type, with Ann Ruymen as the not so innocent Cheryl, and Lucille Benson as the proprietor of the unforgettable King Edward Hotel, absolute standouts. The quirky residents are both believable and intriguing. Murder, fetishism, voyeurism, what more could you ask for from this wonderful mixture of bizarre characters? Great photography, great character development, great script, great dark comedy. Highly recommended. - MERK


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