A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves.

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Cast

Cast overview, first billed only:
...
Nick Devlin
...
Mary Ann
...
Clarabelle
...
Weenie
...
Poppy
...
Violet
William Morey ...
Shay
Clint Ellison ...
Delaney
Howard Platt ...
Shaughnessy
Les Lannom ...
O'Brien
Eddie Egan ...
Jake
Therese Reinsch ...
Jake's Girl
Bob Wilson ...
Reaper Driver
Gordon Signer ...
Brockman
Gladys Watson ...
Milk Lady
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Storyline

A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves. Written by Brian J. Wright <bjwright@acs.ucalgary.ca>

Plot Summary | Add Synopsis


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Release Date:

8 July 1972 (Japan)  »

Also Known As:

Carnage  »

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(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The submachine gun used by Nick Devlin in the last part of the film is the now rare Smith & Wesson model 76, a near copy of the Swedish M/45. It was produced in very small numbers in the late 1960s, and was eventually discontinued due to lack of interest in such a weapon by military and law enforcement agencies. In US service it was largely known as the "Swedish-K" or "K-Rifle. It was used by US special service4s (like Navy SEALS and CIA operatives) during the Vietnam war. See more »

Quotes

Poppy: I never knew a man before; not even to talk to.
Nick Devlin: Well where did they keep you?
Poppy: In the orphanage with the other girls.
Nick Devlin: And where was that?
Poppy: It was in Missouri. It's the only home I really remember. It was in the country.
Nick Devlin: Then you have nobody?
Poppy: Just Violet.
Nick Devlin: Who?
Poppy: Violet, the other girl that was with me. She's my sister... well, not truly but we're closer than that. Violet and me we'd climb into each other's bed when it was really cold in the winter time and hug each other really close. Sometimes we'd...
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Connections

References Bunny O'Hare (1971) See more »

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User Reviews

 
Barons of beef
5 December 2005 | by (Saffron Walden, UK) – See all my reviews

Two legendary Hollywood hard men, Lee Marvin and Gene Hackman, go head-to-head in this interesting thriller from director Michael Ritchie. Hackmann can act, Marvin just plays his stock character, but it's actually the latter to exudes more charisma, although the script is on his side: this is very much a Lee Marvin vehicle, structured not unlike 'Point Blank'. But that film had a distinctive, alienating air and ultimately showed clearly that its hero was no different, no better, to those he was pursuing. In 'Prime Cut', however, the villains of piece are (more typically, and more disappointingly) shown to be so depraved that Marvin is justified in sub-machining them down. Moreover, the sub-plot that explains this, their involvement in the trafficking of women to the sex trade, is presented in such a way as to seem sexist in itself. In other ways too the film appears dated: the editing is stuck somewhere between naturalistic and slick (not quite feeling like either), and the undeniably effective soundtrack is also horrid. What's more interesting is the setting: the story takes place in rural Missouri, but this is not America the beautiful. Instead, its the land of agribusiness and as such portrayed with an element of truth: although Ritchie does appear caught between emphasising its differences from the city, and its similarities.

'Point Blank' was a film ahead of its time in terms of style and tone. 'Prime Cut' is more like a typical thriller from the early 1970s. But either way, they don't make men like Marvin any more.


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