A cruise ship succumbs to a terrorist act and capsizes on New Year's eve. A rag-tag group of survivors, spearheaded by a priest and a homeland security agent, must journey through the upside down vessel and attempt an escape.
After a boiler explosion aboard an aging ocean liner, a man struggles to free his injured wife from the wreckage of their cabin and ensure the safety of their four-year-old daughter as the ship begins to sink.
Andrew L. Stone
When a big ocean liner's cargo of fertilizer catches fire, it causes an explosion and pretty soon, the whole ship is ablaze. A helpful newlywed passing by in a canoe and a stowaway help try to fight the fire.
A passenger ship, on her way to the scrap yard is pushed to her limits by the new owners to save on the dismantling fees. A tidal wave hits her, flipping her over so that all the internal rooms are upside down. A priest takes a mixed band of survivors on a journey through the bowels of the ship in an attempt to survive. Written by
John Vogel <email@example.com>
Shelley Winters trained with an Olympic swim coach so that her character, who is a former award-winning swimmer, would come across more realistically in the underwater scenes. See more »
When Belle decides to go underwater and save everyone's life, the camera cuts to a closeup of her. She is fingering the swimming medal around her neck. But the surrounding shots have her hands clasped in front of her. See more »
Despite some questions about the plausability of the physics behind the disaster, I greatly enjoyed this film thanks mostly to the fine ensemble cast headed by the great Gene Hackman. I actually bought into the illusion that this diverse group of people was living this unreal harrowing experience. I remember my theater instructor said this film makes a statement about which people deserve to survive and thereby reproduce. Without being politically incorrect here, he said to analyze the different criteria we use to classify people and see which of these criteria can be applied to the survivors. Even without any social analysis, this is a fine disaster film, 8/10.
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