A Jewish man and a Jewish woman meet and while attracted to each other, find that their worlds are very different. She is the archtypical Jewish American Princess, very emotionally involved... See full summary »
Shoplifter Linda Wilson doesn't care much for life inside or outside jail until she starts a relationship with prison psychiatrist Philip Duncan. When the Warden asks her to break off the ... See full summary »
Gypsy Melody is a 1936 British musical comedy film directed by Edmond T. Gréville and starring Lupe Velez, Alfred Rode and Jerry Verno. It was made at Elstree Studios. The sets were ... See full summary »
The husband and wife acting team of Mae Feather and Julian Gordon is torn apart when he discovers she is having an affair with the screen comedian Andy Wilks. Mae hatches a plot to kill her... See full summary »
A gypsy settlement in a small kingdom is on land believed to contain oil reserves. The kingdom's prime minister plots to overthrow the king--whose mistress is a beautiful gypsy girl--and seize power, and the oil fields, for himself.
Sheila Levine is a Jewish-American princess and a native of Harrisburg, Pennsylvania. An innovative, bright, but painfully introverted individual, she comes to New York City with her mother... See full summary »
Sidney J. Furie
Rebecca Dianna Smith
Two American GIs are the only survivors of a unit wiped out in a battle with Japanese troops on an isolated island. The two, who don't like each other, find try to put aside their differences in order to evade the Japanese and survive.
This movie was bold for its time, especially in its use of "bad" language, and it still looks good. Some modern reviewers wrote things like this: "Amazing that anyone had the nerve to attempt to translate Philip Roth's infamous novel to the screen. The neurotic Jewish boy, who has a strange relationship with his mother and an obsession with sex, should be neutered. It's worth viewing only as a curiosity." (Mick Martin and Marsha Porter, Video Movie Guide, 2002.) But the film is much more than an historical curiosity. It also throws a revealing light on the mores of only a generation ago -- what was shocking then, is no longer so, despite hypersensitive writers like Martin and Porter.
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