The wealthy playboy son of an assassinated South American diplomat discovers that his father was really murdered on orders of the corrupt president of the country--a man who was his ... See full summary »
Ana, the Princess of Eboli, wears a black patch over her right eye, where she was blinded as a youth when fighting a duel in defense of her king, the despotic Philip. Thereafter she and the... See full summary »
Olivia de Havilland,
King Louis XIV has without his knowledge a twin brother, Philippe, but when he is told, he immediately locks up his brother in the Bastille. The king wants to increase his popularity and ... See full summary »
Joan Fisk, daughter of the American ambassador to France, is bored with entertaining the wives of visiting V.I.P.s and decides to conduct an experiment. She accepts a date with an American ... See full summary »
Olivia de Havilland,
This movie is based on the medieval legend of Pope Joan, who was made Pope for a brief period around 855 A.D. Although it is questionable that Pope Joan really did exist, this movie presents her existence as fact, and portrays her relationships with other notables of the time. Written by
Mercifully, never received wide distribution in USA...
There is not much one can say about 'Pope Joan' except that it was a huge failure with critics and the public, opening in New York for a brief run of nine days before being yanked into oblivion. This is another of those all-star films popular in the '70s, totally wasting a talented cast--and again, you have to wonder if anyone really read the script before agreeing to do the film. Look at the cast...Liv Ullmann, Trevor Howard, Maximilian Schell, Keir Dullea, Olivia de Havilland, Lesley-Anne Down. The color photography is great and the choral music in the background score is impressive--but the notion that a credible story could be made based on an unfounded legend of a woman who briefly became Pope Joan in the 9th century, is one that would have defeated even the best screenwriter. Given limited release in Europe and only a few showings in the USA, let's hope this is one film that never gets a restoration. No one is seen to advantage--an embarrassment for all concerned. As noted by Tony Thomas in his book, "Films of Olivia de Havilland": "It is a pity to see so many fine actors wallowing in medieval mire."
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