This movie is based on the medieval legend of Pope Joan, who was made Pope for a brief period around 855 A.D. Although it is questionable that Pope Joan really did exist, this movie ... See full summary »
A man named Salem escapes from an insane asylum where he was confined for an axe-murder. Falsely convicted under a plea of "guilty due to insanity", he does not plan to let his sister and ... See full summary »
Forty year old Norwegian-American divorcée Ann Stanley owns her own Manhattan based real estate agency specializing in upscale Manhattan apartments. She lives with her seventeen year old ... See full summary »
Upper class Americans Noel and Meg Johnson have a twenty-six year old daughter named Clara Johnson. Clara suffered a head injury as a child which resulted in her being mentally disabled. ... See full summary »
Olivia de Havilland,
Following her husband s death, a wife discovers and confronts her husband's lover. Their mutual pain, love, envy and jealousy bring them together in an unexpected emotional and physical ... See full summary »
This movie is based on the medieval legend of Pope Joan, who was made Pope for a brief period around 855 A.D. Although it is questionable that Pope Joan really did exist, this movie presents her existence as fact, and portrays her relationships with other notables of the time. Written by
After a muted critical response, the film was severely re-edited. In its original incarnation, the film contained many flashbacks and flash-forwards, quite a progressive style for 1972. These were all removed to create a more linear story and the film was then released as "The Devil's Imposter". These changes were reinstated for a 2009 reissue. See more »
"What a surprise! Not only the story, but what a cast! Liv Ullmann, Trevor Howard, Olivia de Havilland, Maximilian Schell, Franco Nero, Leslie Ann Down! And the texture of the movie - the crude medieval villages, the halls of the ancient Vatican, the incredible 10th Century nunnery, the countryside of Saxon Germany, in peace and war, scene after scene that could never have been shot in Hollywood. But the greatest discovery is the performance of Liv Ullmann. If anything ever deserved an Academy Award. She creates more passion and sexual desire with her eyes and the movement of a hand than the whole pantheon of current sex goddesses could with all their bodies and a ravishing musical score behind them. And when it comes to tragedy and fear those same eyes dig so deeply into the soul they leave a mark that haunts you for weeks. This is a wonderful, wonderful picture."
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