The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
From the sight of a police officer this movie depicts the life in New York's infamous South Bronx. In the center is "Fort Apache", as the officers call their police station, which really ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
Jim Kane is a loser cowboy in Nogales, Arizona.He has more good nature than good sense and often takes jack-of-all-trades jobs. His bank loans are jeopardized when his latest horse purchase is a bust. His horses are quarantined with STD. Jim is broke. The local hotel clerk sympathetic about his situation lets him live in the hotel maid's room for free. His ex-wife goes gentle on him when he cannot make the alimony payments. Jim turns down his uncle's offer of a job but accepts a deal to buy cattle in Mexico for a shady businessman who has a bad reputation. Jim travels to Mexico where he teams up with another loser, an old friend by the name of Leonard, who moved to Mexico in order to pursue one of his many failed get-rich-quick schemes. The two amigos set out to buy Mexican cattle from various local ranchers but they experience difficulties and soon run into trouble. Written by
Based on a novel called "Jim Kane", that was the working title of the film. The title was changed to take the emphasis off of one character and to stress the partnership of Paul Newman and Lee Marvin. See more »
Boy, if anybody cheats me, I'm gonna hit him with a Stillson wrench and shove him in a coal hopper
[chokes on his scotch-on-the-rocks]
Well, if you're gonna talk like that,
[nervously; shuffling away a bit more]
Well, if, ah, if you're gonna talk like that, I'm, I'm-a just gonna move down the line
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This film is not as bad as the previous reviewer would have you believe. It just takes a different kind of mindset to enjoy it--you have to like nonlinearality. You have to be in a relaxed, maybe even coming-down-off-a-jag state of mind to appreciate its structure.
Paul Newman, affable as always in the lead, is not placed in any of the more familiar predictable, and simplistic predicaments cited by my colleague ( though, if anything, "character study" would come the closest to describing this film).
But, instead of an "easy" situation--the kind that makes us smug to be able to identify quickly--in this picture Newman battles ineffectually against a more subtle and insidious malaise, one not often focused on in film in this manner. Its a common problem--something we all deal with at one time or another--its that type of confidence-effacing, will-sapping, ego-draining personal economic debt that for many adults never really seems to go away.
Just like the rest of us, Newman's simply got an ego that wants to assert itself--but at every turn he's being strung up by the short-and-curlies due to lack of $$. He keeps trying however. Still, we see that throughout the film, each new situation somehow gets away from him and leaves him with nothing to show for his troubles. He's just too nice a guy to come out a winner.
He always needs more money than he's got and it affects everything he does--prevents him from really enjoying what might be an otherwise pleasant life. In the end he's forced to face that:
1) his troubles are maybe never going to be conquerable,
2) there will be a lot more (of the same kind of humiliation he's undergone all throughout the movie)throughout the rest of his life, and 3) despite this, there are still some dividends in life that make things easier to bear, like having a best friend, a car that runs, or just having enough money in your pocket to get a Coke.
Its true the movie has an unsatisfying conclusion--the very human plot in this film just doesnt have a happy resolution, (coincidentally, just the way real-life problems dont work out, what a concept for a film, right?).
But the hangdog ending, just like the rest of the film, is somehow difficult to forget. It has such an unusual, low-key pace and rhythm that it really stays with you. I have seen it come up at least 4-5 times on the late show and never been displeased--its rather like seeing an old friend.
Dont dismiss it--its a movie that can cheer you up under the right circumstances.
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