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Pocket Money (1972)

 -  Western | Comedy  -  1 February 1972 (USA)
5.5
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Ratings: 5.5/10 from 993 users  
Reviews: 33 user | 11 critic

Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.

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(screenplay), (novel), 1 more credit »
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Title: Pocket Money (1972)

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Cast

Complete credited cast:
...
Jim Kane
...
Leonard
...
Bill Garrett
...
Stretch Russell
...
Juan
Christine Belford ...
Adelita
...
Ex-Wife
...
Chavarin (as Gregg Sierra)
Fred Graham ...
Uncle Herb
...
American Prisoner
Claudio Miranda ...
Ministerio Publico
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Storyline

Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.

Plot Summary | Add Synopsis

Taglines:

The two most memorable characters the West can never forget!

Genres:

Western | Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 February 1972 (USA)  »

Also Known As:

Jim Kane  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

One of Paul Newman's demands is that he gets to spend an hour each morning on location in a sauna. That is why his character in the film uses the shower steam to create a sauna early in the story. See more »

Quotes

[In anger, a television was just thrown out a hotel window]
Bill Garrett: That's hotel property, and I'm just sittin' here waiting for the house dicks to come.
Leonard: [pretentiously, with sort of a faux-cool] But you're the one that's gotta have to pay.
Bill Garrett: Who the hell is he?
See more »

Connections

Referenced in The Killing Floor (2007) See more »

Soundtracks

Pocket Money
Written and Performed by Carole King
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

quirky, sure--but memorable!
11 October 2000 | by (Philadelphia, USA) – See all my reviews

This film is not as bad as the previous reviewer would have you believe. It just takes a different kind of mindset to enjoy it--you have to like nonlinearality. You have to be in a relaxed, maybe even coming-down-off-a-jag state of mind to appreciate its structure.

Paul Newman, affable as always in the lead, is not placed in any of the more familiar predictable, and simplistic predicaments cited by my colleague ( though, if anything, "character study" would come the closest to describing this film).

But, instead of an "easy" situation--the kind that makes us smug to be able to identify quickly--in this picture Newman battles ineffectually against a more subtle and insidious malaise, one not often focused on in film in this manner. Its a common problem--something we all deal with at one time or another--its that type of confidence-effacing, will-sapping, ego-draining personal economic debt that for many adults never really seems to go away.

Just like the rest of us, Newman's simply got an ego that wants to assert itself--but at every turn he's being strung up by the short-and-curlies due to lack of $$. He keeps trying however. Still, we see that throughout the film, each new situation somehow gets away from him and leaves him with nothing to show for his troubles. He's just too nice a guy to come out a winner.

He always needs more money than he's got and it affects everything he does--prevents him from really enjoying what might be an otherwise pleasant life. In the end he's forced to face that:

1) his troubles are maybe never going to be conquerable,

2) there will be a lot more (of the same kind of humiliation he's undergone all throughout the movie)throughout the rest of his life, and 3) despite this, there are still some dividends in life that make things easier to bear, like having a best friend, a car that runs, or just having enough money in your pocket to get a Coke.

Its true the movie has an unsatisfying conclusion--the very human plot in this film just doesnt have a happy resolution, (coincidentally, just the way real-life problems dont work out, what a concept for a film, right?).

But the hangdog ending, just like the rest of the film, is somehow difficult to forget. It has such an unusual, low-key pace and rhythm that it really stays with you. I have seen it come up at least 4-5 times on the late show and never been displeased--its rather like seeing an old friend.

Dont dismiss it--its a movie that can cheer you up under the right circumstances.


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