| J. Herbert Kerr Jr. | ... | Randy Johnson | |
| Lana Wood | ... | Carolyn Schneider | |
| Cheri Caffaro | ... | Cindy Cartwright | |
| Richard Smedley | ... | Ron Carton | |
| Timothy Brown | ... | Steve Smith (as Tim Brown) | |
| Peter Carew | ... | Ben Atkinson | |
| Woody Carter | ... | Black Radical | |
| Leo Tepp | ... | Alexander Cartwright | |
| Cucho Viera | ... | White Radical | |
| Howard Zeiden | ... | Doug Gilmore | |
| Humphrey Davis | ... | John Higgins | |
| George Fairley | ... | Black Construction Worker | |
| Byian Johnson | ... | Little Boy | |
| John LaMotta | ... | White Construction Worker (as John La Motta) | |
| Mary Rio Lewis | ... | Mrs. Johnson |
Directed by | |||
| Don Schain | |||
Writing credits | ||
| Don Schain | (written by) | |
Produced by | |||
| Frank J. Desiderio | .... | executive producer | |
| Ralph T. Desiderio | .... | producer | |
Original Music by | |||
| Robert G. Orpin | (as Robert Orpin) | ||
Cinematography by | |||
| R. Kent Evans | (director of photography) | ||
Film Editing by | |||
| Harry D. Glass | |||
Makeup Department | |||
| Fern Buchner | .... | makeup artist | |
| Lee Victor | .... | hair stylist | |
Production Management | |||
| Edward La Pidus | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Ashe | .... | first assistant director | |
| Alice H. Bell | .... | second assistant director | |
| Ralph S. Singleton | .... | dga trainee (as Ralph Singleton) | |
Art Department | |||
| E.A. Drohan III | .... | master prop man | |
Sound Department | |||
| Lee Dichter | .... | sound mixer | |
| Christopher Newman | .... | sound (as Chris Newman) | |
| Pasquale Suraci | .... | boom operator | |
Camera and Electrical Department | |||
| James A. Contner | .... | first assistant camera | |
| Gene Engels | .... | electrician | |
| Leslie Goldman | .... | camera operator | |
| George Maxfield | .... | grip | |
| Willie Meyerhoff | .... | gaffer (as Willie Myerhoff) | |
| Gary Muller | .... | second assistant camera (as Gary A. Muller) | |
| Frank Shimko | .... | key grip | |
| Jack Stager | .... | still photographer | |
| Dusty Wallace | .... | electrician | |
Costume and Wardrobe Department | |||
| Beverly Cycon | .... | wardrobe | |
Other crew | |||
| John A. Aliventi | .... | teamster | |
| Sharon Friedman | .... | production coordinator | |
| Maggie James | .... | script supervisor | |
| Ann La Pidus | .... | assistant production secretary | |
| Adeline Leonard Seakwood | .... | production secretary (as Adeline Leonard) | |
| Joe Lombardi | .... | explosion sequences | |
| Richard Rothery | .... | assistant to producer | |
| Ciro Spina | .... | teamster | |
| Tom Tischler | .... | cinemobile technician | |
| Joel Vogel | .... | assistant to producer | |
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| Ginger | The Liberation of L.B. Jones | A Time to Kill | Kansas City | Malcolm X |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb USA section |
One of the few Cheri Caffaro movies. Yes, she gets tied up again and abducted nude wrapped up in a sleeping bag. The movie is very heavy-handed in what's supposed to be social comment for the early 70s. Altogether pretty dismal for a movie, except for when Ms. Caffaro is on. Even Lana Wood (Natalie's sister) can't do much. Still, I picked the tape up used for five dollars so I don't feel too badly