Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
A new interpretation of Pink Floyd's classic concept album updates the story from WWII to Vietnam, blending animation and archival footage with original images and live music. As rock star ... See full summary »
In the summer of 2006, Sigur Rós returned home to play a series of free, unannounced concerts for the people of Iceland. This film documents their already legendary tour with intimate ... See full summary »
Jon Thor Birgisson,
Orri P. Dyrason,
Longer than a music video, shorter than a feature film, this is essentially a short film version of Pink Floyd's album "The Final Cut". As such, the visual material is much the same as a ... See full summary »
Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, Set the controls for the heart of the sun, Mademoiselle nobbs (Seamus, but with Rick's dog on vocals). "Careful" and "Set the controls" are shot at night with minimal lighting, setting a beautiful mood. And the live Saucerful just has to be seen, with Waters jumping around in the sunlight banging the huge gong. The 80-minute version features studio footage from the recordings of Dark side of the Moon, with alternate versions of Us and them, On the run and Brain Damage, as well as hilarious interviews with the band (don't miss Waters raving about the great economical collapse, and Nick whining about the crust on the pie). Written by
Nils Erichson <firstname.lastname@example.org>
When pink floyd is having breakfast Guilmour asks for a glass of milk but wright en up having it. See more »
In both parts of the song "Echoes", Nick Mason's sunglasses disappear and reappear a couple of times, indicating that the performance in Pompeii was filmed in sections rather than just one take. Or that there were two takes of the song and footage was used from both. See more »
It's like, you give a man a Les Paul guitar and he becomes Eric Clapton, and of course that's not true. And if you give a man an amplifier and a synthesizer, he doesn't become, you know, whoever; he doesn't become us.
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This film is nothing short of "must see" documentary history. I'll never be able to fully express how moving it is to see the young men of Pink Floyd during uninhibited moments of creativity, eating and chatting together, rehearsing, having philosophical discussions about the fate of rock-n-roll music and the shaking off of their drug-oriented image, and even arguing now and then.
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god. **swoon**
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