Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
John Waters' first 16mm film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never ... See full summary »
Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences... Written by
Michael Brooke <firstname.lastname@example.org>
For Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.) See more »
It may be cheap and revolting, but it's got style.
I first saw Pink Flamingos in the mid 70's, back before VCRs. A college dorm had rented a print, and in a drunken state I've not achieved again this past quarter-century, I went to see it. Having finally seen it again only recently, this time sober, I'm here to tell you... it looks a hell of a lot better when you're drunk. Those who call it "great" or a "masterpiece" are plain wrong, they don't recognize what they are seeing. The camera work is a hair's breadth above home movies; the acting and story are... well, they are better than in porn flicks and even some straight-to-video movies, but, jeez, not by much. And then there is the primary purpose behind Pink Flamingos -- to make the most disgusting, revolting movie possible, perhaps even conceivable.
But... BUT... Pink Flamingos is distinctive. Even if you - yes YOU out there - the reader, wanted to make the most disgusting movie in the world and even if you had the money and the skills that John Waters lacked in 1972, you couldn't make a film as good as he did. Yes, GOOD! You couldn't because, first of all, I doubt you have the same quality of acquaintances that Waters had and put into into his early movies. And it's not just a matter of WHAT they will do, but HOW they do it. Waters' actors had a style, no matter how bizarre, that is rarer than most depravities. Could YOU recognize the virtues of, let alone even find, someone like Edith Massey? I doubt it. Which leads to the second point.
Pink Flamingos has panache! It has a free-wheeling sense of daring-do that borders on innocent fun. So, although the movie is so disgusting that I wish it had never been made, it is not a squalid film. And I don't think YOU, the reader, or anyone other than Waters could have pulled that off. It doesn't make Pink Flamingos a masterpiece. It does make it unlike any other film.
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