Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
John Waters' first 16mm film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never ... See full summary »
Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences... Written by
Michael Brooke <firstname.lastname@example.org>
The film has one of the longest front credits sequence of all time. Every actor and every single extra featured in the movie appears listed in it. See more »
During a tracking shot along a sidewalk, the window frame of the camera car enters the shot. See more »
I'll have to change my appearance. I think I'll dye my hair another color and start dressing like a dyke.
Me too! I'll get a crew cut.
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For Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.) See more »
On the surface "Pink Flamingos" could easily be dismissed as a nostalgic piece of shock cinema. With an unparalleled level of notoriety -- based almost entirely on the final scene, the film has become a curiosity of sorts and a right of passage for those testing their own boundaries of decency. Beneath this seedy exterior however, lies a brilliant and biting satire of society's obsession with fame and the lengths one will go to in order to achieve it. This theme is relevant even more so today than it ever was. Just consider the over abundance of reality TV shows, for example 'Fear Factor' a show boasting contestants eager and willing to outdo one another by performing a variety of dangerous stunts and eating unimaginable specimens how is this any different than the characters in 'Pink Flamingos' attempting to outdo one another in an effort to claim the dubious title of the filthiest people alive? Society is (and has always been) captivated with sensationalism; from the Roman era and the coliseum packed with bloodthirsty audiences, to modern day and the likes of the 'Jerry Springer Show' (of which Babs Johnson and the Marbles would make excellent guests!!). The purpose of "Pink Flamingos" is to not only put a hilariously depraved spin on the fascination with celebrity but to also provide a cautionary tone to the dissolution of society itself. The performances are all top-notch; especially the ever-dependable and over-the-top Mink Stole, as heartless Connie Marble; and scene stealing Edith Massey, as Edie 'The Egg Lady'. It's amazing that the film is over thirty-years old because the message is just as fresh today as it was back in 1972.
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