| Jack Wild | ... | Gavin | |
| Donald Pleasence | ... | The Baron | |
| John Hurt | ... | Franz | |
| Donovan | ... | The Pied Piper | |
| Michael Hordern | ... | Melius, Alchemist | |
| Roy Kinnear | ... | Burgermeister Poppendick | |
| Peter Vaughan | ... | Bishop | |
| Diana Dors | ... | Frau Poppendick | |
| Cathryn Harrison | ... | Lisa | |
| Keith Buckley | ... | Mattio | |
| Peter Eyre | ... | Pilgrim | |
| John Welsh | ... | Chancellor | |
| Hamilton Dyce | ... | Papal Nuncio | |
| Arthur Hewlett | ... | Otto | |
| Andre Van Gyseghem | ... | Friar | |
| Patsy Puttnam | ... | Helga | |
| Paul Hennen | ... | Karl | |
| David Leland | ... | Officer | |
| Michael Goldie | ... | Burger | |
| John Falconer | ... | Priest | |
| Clive Elliott | ... | Priest | |
| David Nettheim | ... | Kulik (as David Netheim) | |
| Sammie Winmill | ... | Gretel | |
| Gertan Klauber | ... | Town Cryer | |
| Roger Hammond | ... | Burger | |
| Edwin Brown | ... | Burger | |
| George Cormack | ... | Burger | |
| Mary MacLeod | ... | Maidservant | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Flunky (uncredited) | |
| Sacha Puttnam | ... | Little Boy (uncredited) | |
Directed by | |||
| Jacques Demy | |||
Writing credits | ||
| Jacques Demy | (screenplay) and | |
| Andrew Birkin | (screenplay) and | |
| Mark Peploe | (screenplay) | |
| Robert Browning | poem (uncredited) | |
| Jacob Grimm | fairy tale (uncredited) | |
| Wilhelm Grimm | fairy tale (uncredited) | |
Produced by | |||
| Sanford Lieberson | .... | producer | |
| David Puttnam | .... | producer | |
Original Music by | |||
| Donovan | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| John Trumper | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Assheton Gorton | |||
Art Direction by | |||
| George Djurkovic | |||
Costume Design by | |||
| Evangeline Harrison | |||
Makeup Department | |||
| Bob Lawrance | .... | makeup artist (as Bob Lawrence) | |
Second Unit Director or Assistant Director | |||
| Garth Thomas | .... | first assistant director | |
Sound Department | |||
| Tony Jackson | .... | sound mixer | |
Special Effects by | |||
| John Stears | .... | special effects | |
Camera and Electrical Department | |||
| Roy Larner | .... | gaffer | |
| Roy Rodhouse | .... | best boy | |
Music Department | |||
| Kenny Clayton | .... | conductor (as Kenneth Clayton) | |
| Kenny Clayton | .... | music arranger (as Kenneth Clayton) | |
| Donovan | .... | musician: singer | |
Other crew | |||
| Zelda Barron | .... | continuity | |
| John Holmes | .... | rat trainer | |
| Recent Posts (updated daily) | User |
|---|---|
| Available in Region 2 multi-disc Demy DVD set | eschwartzkopf |
| Finding a copy of Pied Piper | shilo69 |
| Is Danny Kaye in there someplace? | GusDomesticus |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Watching this recently, I remembered certain scenes from when I watched it as a child of about 7 or 8, some twenty-five years ago. That is testament to how effective some of The Pied Piper is. Indeed, in some ways it hardly qualifies as a "childrens' film" at all, as it starts with a picture of a heretic being burned at the stake and ends with the death of one of the main characters by the same means. Clearly Demy had Bergman's The Seventh Seal in mind for the general feel of the film, which stresses the irrationality and brutality of the times. However, the screenwriters and Demy add another ingredient - the political chicanery of the Church, the aristocracy and the merchant class, sometimes colluding together, at other times each promoting their own special interests. It's not difficult to read the film as a quasi-Marxist parable about feudal society, and the film-makers clearly intended something of the sort. If that makes it all sound very heavy, actually the film is fairly fast-moving and fun, especially because of the wonderfully comic grotesque playing of Donald Pleasance and Roy Kinnear. Fans of these actors should definitely seek this film out - Pleasance is as good as he was in "Death Line" (AKA "Raw Meat") made about the same time, and Kinnear is nearly as good as he was in "Juggernaut", another overlooked but very interesting British film of the early 70s. There is also a very good performance from Michael Hordern as the rationalist alchemist, one of his better and most substantial but unfortunately least known performances. Nostalgia fans can also take pleasure in remembering a time when Jack Wild, made famous by "Oliver", was considered a star. The Pied Piper deserves its mixed critical reputation. Demy does not here have the firm control over his material he had in earlier films. The main flaw is the total lack of characterisation of the Piper, and the terrible non-acting of the folk singer Donovan in that role. His musical interludes are just embarrassing and the worst thing about the film (for a similar ruining of a otherwise thoughtful historical film by a miscast singing star, see 1969's "Where's Jack?" with Tommy Steele). This is a pity as the socio-political stuff at the edges of the film, plus the costumes and scenery, are very good indeed. Overall, this is certainly worth a watch if it turns up on TV or you might, as I did, seek it out on a secondhand VHS cassette. It is not a major film but it's an endearing oddity, and certainly a must-see for Demy students or fans of Brtish film in the early 70s.