| Keith Emerson | ... | Himself (with Emerson, Lake and Palmer) Moog Synthesizer, Organ, Electric Clavinet | |
| Greg Lake | ... | Himself (with Emerson, Lake and Palmer) Bass Guitar, Acoustic Guitar and Vocals | |
| Carl Palmer | ... | Himself (with Emerson, Lake and Palmer) Drums, Gong, Tubular Bells and assorted percussion |
Directed by | |||
| Nicholas Ferguson | |||
Produced by | |||
| Lindsey Clennell | .... | producer | |
| John House | .... | executive producer | |
Production Management | |||
| Chris Evans | .... | production manager | |
Sound Department | |||
| Peter Brown | .... | sound supervisor | |
| Greg Lake | .... | sound production | |
| Ian Southern | .... | sound engineer | |
| Brian Taylor | .... | sound recordist | |
Camera and Electrical Department | |||
| Colin Callow | .... | camera operator | |
| Vic Cornish | .... | vision controller | |
| Peter Johnson | .... | lighting director | |
| Ian Lewis | .... | camera operator | |
| Bob Mitchell | .... | vision controller | |
| Andrew Tyler | .... | camera operator (as Andy Tyler) | |
| John Whatton | .... | camera operator | |
| Chris Williams | .... | vision controller | |
Animation Department | |||
| Dick Preston | .... | animator: Marvel Animation | |
Editorial Department | |||
| Steve Hall | .... | editor: video tape | |
| Eddy Pinto | .... | vision supervisor | |
| Derry Wood | .... | vision supervisor | |
Other crew | |||
| Peter Dearing | .... | video tape recordist | |
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| Echoes: Pink Floyd | The Wall: Live in Berlin | Rockshow | Grateful Dead | The Last Waltz |
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| Full cast and crew | Company credits | External reviews |
| IMDb Music section | IMDb UK section |
I saw this film in 1978 at a cheapo midnight showing. I recall on the downside that the copy run that night was miserably cut, scratched, spliced and filled with horrible audio glitches. However, as a drooling ELP fan (Palmer was the primary influence for me to pick up a pair of drumsticks and play- something which led to a long and fairly successful music career), I can say that this film is a pure treasure trove of great images. My brother (a keyboardist) got good looks at Keith on the Hammond and so figured out difficult to pick out chords, while I was totally blown away by Carl's absolutely explosive drumming style and overall showmanship. This is a great concert film and I highly recommend it to any fan of the prog-rock genre. Oh, the original Mussorgskiy piece "Pictures at an Exhibition" actually saw a boost in sales as a result of ELP's high energy treatment which was released as an album of its own in the early 1970s (1971 or 72). Find this film. You won't regret it.