| Uta Hagen | ... | Ada | |
| Diana Muldaur | ... | Alexandra | |
| Chris Udvarnoky | ... | Niles Perry | |
| Martin Udvarnoky | ... | Holland Perry | |
| Norma Connolly | ... | Aunt Vee | |
| Victor French | ... | Angelini | |
| Loretta Leversee | ... | Winnie | |
| Lou Frizzell | ... | Uncle George | |
| Portia Nelson | ... | Mrs. Rowe | |
| Jenny Sullivan | ... | Torrie | |
| John Ritter | ... | Rider | |
| Jack Collins | ... | Mr. P.C. Pretty | |
| Ed Bakey | ... | Chan-yu | |
| Clarence Crow | ... | Russell | |
| rest of cast listed alphabetically: | |||
| Bob Melvin | ... | Sideshow Man (uncredited) | |
| Carolyn Stellar | ... | Woman in the Mirror (uncredited) | |
Directed by | |||
| Robert Mulligan | |||
Writing credits | ||
| Tom Tryon | (screenplay) (as Thomas Tryon) | |
| Tom Tryon | (novel "The Other") (as Thomas Tryon) | |
Produced by | |||
| Don Kranze | .... | associate producer | |
| Robert Mulligan | .... | producer | |
| Tom Tryon | .... | executive producer (as Thomas Tryon) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Robert Surtees | (as Robert L. Surtees) | ||
Film Editing by | |||
| Folmar Blangsted | |||
| O. Nicholas Brown | |||
Casting by | |||
| Alixe Gordin | (uncredited) | ||
| William J. Kenney | (uncredited) | ||
Production Design by | |||
| Albert Brenner | |||
Set Decoration by | |||
| Ruby R. Levitt | (as Ruby Levitt) | ||
Costume Design by | |||
| Joanne Haas | |||
| Thomas Welsh | (as Tommy Welsh) | ||
Makeup Department | |||
| Joe DiBella | .... | makeup artist | |
| Dorothy White | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Bert Gold | .... | assistant director | |
| Don Kranze | .... | assistant director | |
| Mark Sandrich Jr. | .... | assistant director (as Mark Sandrich) | |
| John Barnwell | .... | second assistant director (uncredited) | |
Art Department | |||
| Ward Preston | .... | assistant art director | |
| Ragnar Antonsen | .... | drapery swing gang (uncredited) | |
| Barry Bedig | .... | property master (uncredited) | |
| Earl W. Huntoon Jr. | .... | leadman (uncredited) | |
| Clarence Fay Konkel | .... | carpenter (uncredited) | |
| Bill Parks | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Don J. Bassman | .... | sound (as Don Bassman) | |
| Jack Solomon | .... | sound | |
| Al Yaylian | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Richard Barth | .... | first assistant camera | |
| James R. Connell | .... | camera operator | |
| Bud Gray | .... | still photographer | |
| Earl Kennedy | .... | gaffer | |
| Dan Lambert | .... | key grip | |
Casting Department | |||
| Jim Riggs | .... | local casting (uncredited) | |
| Joanne Riggs | .... | local casting (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
Transportation Department | |||
| Aram Betkijian | .... | transportation captain (uncredited) | |
Other crew | |||
| Ray Quiroz | .... | script supervisor (uncredited) | |
| Arthur Riley | .... | consultant (uncredited) | |
| Estelle Schaffe | .... | production secretary (uncredited) | |
| Carl Skelton | .... | location auditor (uncredited) | |
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| Beloved | Gone with the Wind | The Prestige | The Night of the Hunter | The Grapes of Wrath |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I'll admit it took me a while to get into this movie. Years, in fact. But I think it was Halloween of '07 when I finally realized just what a tremendous achievement it really is, not only in the horror genre, but in the world of cinema in general. The story of twin boys experiencing all sorts of bizarre happenings thanks to "the Great Game" their grandmother has taught them, "The Other" is subtle, quiet, creepy, (almost completely) well-acted, beautifully photographed, and elegantly scored. It's not outrageously frightening, like "The Exorcist," or darkly envisioned like "Halloween," but it works on the same level as "The Omen" in its simple plausibility, and 95% of the terror is purely psychological... the best kind. Uta Hagen and Diana Muldaur give great performances, and Robert Mulligan has atoned for any mistakes he has made (come on, admit it, you hated "To Kill a Mockingbird," too). It's just such a shame that it's so hard to find.