| Christopher Lee | ... | Col. Charles Bingham | |
| Peter Cushing | ... | Sir Mark Ashley | |
| Diana Dors | ... | Anna Harb | |
| Georgia Brown | ... | Joan Foster | |
| Keith Barron | ... | Dr. Haynes | |
| Gwyneth Strong | ... | Mary Valley | |
| Fulton Mackay | ... | Cameron | |
| John Robinson | ... | Lord Fawnlee | |
| Morris Perry | ... | Dr. Yeats | |
| Michael Gambon | ... | Insp. Grant | |
| Duncan Lamont | ... | Dr. Knight | |
| Shelagh Fraser | ... | Mrs. Alison | |
| Kathleen Byron | ... | Dr. Rose | |
| Geoffrey Frederick | ... | Computer Operator | |
| Louise Nelson | ... | Nurse | |
| Robin Wentworth | ... | Head Porter | |
| Michael Segal | ... | First Reporter | |
| John Kelland | ... | Second Reporter | |
| Michael Wynne | ... | Donald | |
| Kenneth Watson | ... | Jamie (as Ken Watson) | |
| Andrew McCulloch | ... | Malcolm | |
| Paul Humpoletz | ... | Angus | |
| Stuart Saunders | ... | Police Sergeant | |
| Stanley Lebor | ... | Policeman | |
| Michael Brennan | ... | Deck Hand | |
| Beatrice Kane | ... | Helen Van Traylen | |
| Janet Bruce | ... | Naureen Stokes | |
| Geoffrey Denton | ... | Paul Anderson |
Directed by | |||
| Peter Sasdy | |||
Writing credits(in alphabetical order) | ||
| John Blackburn | novel "Nothing But the Night" | |
| Brian Hayles | screenplay | |
Produced by | |||
| Anthony Nelson Keys | .... | producer | |
| Christopher Lee | .... | producer (uncredited) | |
Original Music by | |||
| Malcolm Williamson | |||
Cinematography by | |||
| Kenneth Talbot | (as Ken Talbot) | ||
Film Editing by | |||
| Keith Palmer | |||
Casting by | |||
| Weston Drury Jr. | |||
Art Direction by | |||
| Colin Grimes | |||
Makeup Department | |||
| Eddie Knight | .... | makeup artist | |
| Patricia McDermott | .... | hair stylist (as Pat McDermott) | |
Production Management | |||
| Tom Sachs | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ariel Levy | .... | assistant director | |
Sound Department | |||
| Ken Barker | .... | sound mixer | |
| Don Challis | .... | sound editor | |
| Danny Daniel | .... | sound recordist | |
| Cyril Taylor | .... | sound camera | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| Charlie McFadden | .... | boom operator (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Les Bowie | .... | special effects | |
Camera and Electrical Department | |||
| Ronnie Maasz | .... | camera operator | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe supervisor | |
Editorial Department | |||
| Eddy Joseph | .... | assistant editor (uncredited) | |
Music Department | |||
| Philip Martell | .... | musical director (as Philip Martel) | |
Other crew | |||
| Doreen Dearnaley | .... | continuity | |
| Liz Green | .... | production secretary | |
| John T. Parker | .... | presenter | |
| Stirling W. Smith | .... | presenter | |
| Renée Glynne | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| DVD | stew80 |
| DIANA DORS | kenolting |
| Scots isle of 'Bala' | morlock-7 |
| is this remarkably similar to Wiker Man of the same year, also Cushing? | timhoustontx |
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| The Fugitive | Let's Kill Uncle, Before Uncle Kills Us | Picnic at Hanging Rock | Salt | 99.9 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
With an overall rating of just a bit over 3, I sure didn't expect much from this Christopher Lee and Peter Cushing collaboration. However, I was surprised to find this film was a lot better than I'd come to believe. Perhaps some of the reason the film has a lower score than the usual fare from these actors is that although the film has the usual supernatural angle, you don't learn about this until the end. Up until then, it just seems like a detective film about some nasty ex-con who is being sought be Scotland Yard. I could say more, but it would spoil the suspense.
Strengths of the film include a very novel script, generally good acting (though the ex-con is about as unsubtle a character as you can find), and nice location shooting. The biggest minus is that the thing just takes a long time to get going, though by the end of the film the whole thing is steaming full speed ahead.