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Nothing But the Night (1973)

PG | | Crime, Horror, Mystery | June 1975 (USA)
Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 ... See full summary »

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
Colonel Bingham
...
Sir Mark Ashley
...
Anna Harb
Georgia Brown ...
Joan Foster
Keith Barron ...
Dr. Haynes
Gwyneth Strong ...
Mary Valley
...
Cameron
John Robinson ...
Lord Fawnlee
Morris Perry ...
Dr. Yeats
...
Inspector Grant
Shelagh Fraser ...
Mrs. Alison
Duncan Lamont ...
Dr. Knight
...
Dr. Rose
Geoffrey Frederick ...
Computer Operator
Louise Nelson ...
Nurse
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Storyline

Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 orphan kids in it, police colonel Bingham starts investigating. First question is, how came that the dead bus driver is burnt when there was no fire during the accident? Dr. Ashley uses hypnosis to find the truth about the mysterious happenings. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

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This nightmare has already killed five people - now it's yours to live!


Certificate:

PG | See all certifications »
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June 1975 (USA)  »

Also Known As:

The Resurrection Syndicate  »

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Technical Specs

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(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Lee and Charlmagne Films optioned two other books by John Blackburn, "Portrait of Barbara" and "Bury Him Darkly," which were envisioned as sequels to "Nothing but the Night" with Lee recreating the role of Colonel Bingham, but it didn't work out. They also optioned some of 'Dennis Wheatley (I)''s books but only "To the Devil a Daughter" was ultimately made by Hammer. See more »

Goofs

Despite the boat exploding sometime in the morning, the police still manage to get all the pieces of wreckage and the bodies recovered from the sea, sorted, and laid out in the boathouse well before sunset the same day. See more »

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User Reviews

 
NOTHING BUT THE NIGHT (Peter Sasdy, 1972) **1/2
18 October 2008 | by (Naxxar, Malta) – See all my reviews

It's always a thrill to catch up with something that I missed out on when it was shown on local TV in the early 1980s; the fact that this immediately takes me back to my childhood days when home video was still science-fiction in my neck of the woods and I was (almost completely) at the mercy of TV programmers for my practical film education is kind of sweetly ironic given the picture's own 'reincarnation' theme! Even if it's available on DVD in Japan (of all places), I came across it via a full-frame TV screening with forced French subtitles.

It was the sole film made by Christopher Lee's own company, Charlemagne Productions: in an interview done at the time of the film's release (which I just dug up in a magazine of my father's), he takes pains to stress how he abhors screen violence and how, despite the presence of himself and frequent partner Peter Cushing, his new film is "not one of those macabre movies...but an action-adventure thriller with tension, suspense, a lot of exciting outdoor action, and some moments of high terror...a very good evening's escapist entertainment" (needless to say, the film's lurid re-issue titles – THE DEVIL'S UNDEAD and THE RESURRECTION SYNDICATE – made no such qualms!). Incidentally, it is also stated that Lee intended to adapt two other works by John Blackburn (writer of the film's source novel) for the screen – but these, of course, never came to pass. Still, given its eventual climactic similarities to the later and superior THE WICKER MAN (1973), this film is as much a horror piece as that one would prove to be. The initial disjointed outburst of inexplicable murders almost makes one expect a conspiracy like the one that would later figure in THE BOYS FROM BRAZIL (1978); that the eventual revelation, then, is closer to THE DAMNED (1963)-meets-THE BROTHERHOOD OF Satan (1971) makes it worth waiting for nonetheless, with a powerful climactic sequence that is clearly the film's highlight and makes one bemoan the fact that it comes too late to really make this show a winner (and which perhaps explains its relative invisibility nowadays).

Actually, Cushing and Lee (playing all-too-typical parts, albeit with their customary professionalism) are not the main characters – which are instead unremarkably filled by Keith Barron and Georgia Brown as overzealous doctor and journalist respectively looking into the mysterious mumblings of a 'special' girl that hails from the remote, exclusive Scottish island/school of Bala. Diana Dors, as the girl's tarty, jailbird of a mother, spends most of her time screaming, pushing people around or crawling on her belly to escape the clutches of the pursuing police force (who have been set on her by the seemingly all-powerful school institution) and who have tracked her down to Bala. Fulton Mackay as a bumbling but high-profile Police Official and Kathleen Byron as an enigmatic scientist engaged at the school also have noteworthy roles; for the record, this turned out to be the last film of John Robinson (the star of the original TV series of "Quatermass II" [1955], here appearing as an aristocratic protector of the school) as well as Michael Gambon's first, playing a young Police Inspector.


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